The Handwritten Draft

2016-06-26 handwritten_post

With so many digital tools at our disposal these days, handwriting often seems so far behind us. Of course many of the individuals whose work I read online are more likely to keep the faith than others, however when the words generally end up as pixels, perhaps it can be hard to justify transferring them from one to the other.

Some time ago I posted a picture on Twitter containing a page of handwritten words with a caption noting the (blog) post was now complete. In response, one commenter stated there was no way they had the time to perform such an undertaking. Another was surprised the proportion of posts I wrote this way was not higher (which I believe I estimated at around 30% at the time).

At the time I considered this for a little while and then didn’t really pay much attention to the thought — until more recently, when I realised the number is now reversed, with around 70-80% of posts you read here written longhand in their draft form1. A complete reversal of that proportion is a significant change, and for such a change to occur without a conscious plan to do so, suggests there are factors at play which perhaps warrant a little more thought.

My typical digital writing workflow

Looking back to the first couple of years of writing here, it is not hard to remember how things went. Ideas were kept in Evernote (often appended to the one note via a Drafts app extension); stimulus and/or reference material gathered online was largely stored in Pocket; and occasional post outlines created as mind maps using MindNode.

Sure, some handwritten notes were made in various pocket notebooks or slightly larger variants, however things were largely digital, and as I think back on it, the proportion was perhaps even higher than the estimated 70% of my original estimation. Even those handwritten ideas soon became text in Drafts or Evernote.

So the digital basis for a post was created, and all that remained was perhaps for some from of outlining and a first draft to follow. As I mentioned above, planning (on the rare times it occurred) was generally undertaken as a mind map, followed by writing — initially in Byword, and since 2014’s NaNoWriMo: Ulysses.

This process seemed to work for a good while, and I was happy enough for it to continue.

Why the change?

Well, in many respects, the following from Steven Pressfield which I linked to in last week’s Wiser Web Wednesday rings true:

For years I dove in on Page One, put my head down and started hammering keys. That’s not always a bad idea. Sometimes it works. But what usually happened for me was I’d get halfway through before it hit me that I was totally lost. Or I’d finish completely only to realize that I basically had to tear the whole house down and start over.

I’ve alluded above to the “rare times” post outlines occurred for good reason. If we take, say, 70% as a reasonable estimate again — that is about the proportion of posts which were written by sitting in front of the keyboard and writing. No real plan or outline other than a few random notes perhaps. That is not to say these posts were necessarily of high quality having been written this way, simply to say I may not have necessarily completed them all with a different approach.

As time has passed, I’ve found this an increasingly difficult way of getting words down on these pages at an acceptable quality and rate. On the surface I am not entirely sure why that is, however suspect (and hope) my writing has at least improved to some degree since commencing this blogging endeavour in the first half of 2013. Like many (I assume) — I don’t tend to go back and read many of my previous posts, however there is probably immeasurable value in doing so. If we then assume I would like my writing here to continue improving, a little more structure was needed.

Part of that structure began with increasing my use of those mind maps, and more recently, outlining in Workflowy. Perhaps there is something in the outlining versus mind mapping debate as far as which suits my style of planning best, however that is a post for another day.

Additionally, a gradual increase in the use of pen and paper to jot down some thoughts, turn them into an outline, and expand into the first draft seemed to improve the process immensely — and certainly did not go unnoticed. In considering how this change had come to be, and whether I should throw more effort into handwriting these posts, I received an article from a friend on this very topic — by author William Boyd, writing in The Guardian:

One great advantage of a longhand draft is that, in transferring it to the computer, every single word is written at least twice. Then the computer draft can be endlessly revised.

When you write in longhand you’re unconsciously aware of aspects of your prose – such as sentence length, cadence, rhythm, repetition, prolixity – that I find keyboard writing doesn’t alert you to in the same way. Also you can see all the litter of the progress you’ve made that day – the scorings-out; the arrows; the insertions; the bubbles; the second, third, fourth choices. The page reflects the mental effort that the screen doesn’t. It’s a toiling, messy business writing a novel.

Now of course I am not talking of novels here, and am always loathe to make comparisons with those who are actually writers (even though I’ve now done it twice in this post already), however the above quotes state quite succinctly what I believe to be occurring here — particularly the thought on every word being written twice, and the possible advantage to that type of approach.

So, in changing how I approach my writing here, where have I now ended up?

My writing process now: analogue first, digital later

For all of the words you’ll read in this post, here is where things are decidedly uncomplicated — probably a very telling point in itself I believe.

There is a pen. There is paper. They have a simple job in getting words on a page, and typically perform it admirably without interruption, syncing, charging or crashing. Save for a few ink refills, once I’m up and away, I’m well…up and away.

That said, I always think it is a little disingenuous to compare pen and paper directly to the digital tools at our disposal these days. After all, there is a heck of a lot those digital tools can do — and do extremely well, that our humble analogue favourites cannot. Once those words are transferred into the digital realm, they are available to me everywhere; are searchable; editable; and eventually exported and published.

As I mentioned earlier, a post starts as an idea, is expanded into an outline (which may equally occur in digital form), then written as a longhand first draft – all very simple.

Sure, those original source containers remain, in places such as Pocket, Safari, Notes, or even web-captured PDF’s, however you’ll find a good many more on scraps of paper or in pocket notebooks as well. Put an outline in Workflowy into the mix, displayed on my iPad beside me, and the handwritten words simply flow.

For those who perhaps may be interested in the specific tools, let’s just say it is a team effort — with many of the fountain pens, inks and notebooks I own all playing their part. You may have previously read about some of them — or may indeed do so in the future.

Of course, some of you reading this will have no doubt been writing this way for a long, long time — particularly pen bloggers and the handwritten review, to which none of this is particularly ground breaking — a fact I readily acknowledge.

Advantages of writing in longhand

Now, I’m sure we’ve all seen various articles around the web reporting on the benefits of taking notes by hand as far as retention and learning, however that is not what I’m talking about here.

In slowly transitioning to writing a larger proportion of posts this way, you would be correct in thinking there must be some underlying benefit. For me, the benefits are two-fold: more enjoyable writing, and more effective writing.

As far as more enjoyable writing is concerned, there would hardly be a pen lover amongst us that would not enjoy using their favourite pens and inks on a more consistent and frequent basis. Fountain pens are drained, more inks are sampled and notebooks filled. Contrasting inks are used for editing and revision. It is not so hard to see the benefits here.

I’m a little suspicious that somewhere in the recesses of my mind I seek to continue this cycle of more pens, more inks and more notebooks — though I am hoping for perhaps a more noble conclusion about this improved writing process.

How about more effective work?

Explaining the benefits I see in this aspect of my writing is perhaps a slightly more difficult proposition to those heavily invested in digital workflows for such a thing. The fact I have written many more drafts this way which remain unpublished is a victory in itself — for the more I write, the more I’ll eventually publish. As I’ve written about before, unpublished posts remain so often due to topic rather than process or quality, though of course not publishing garbage is also an ongoing aim.

So just how is writing in longhand more effective for me? Quite simply in the flow words onto the page. I’m a bit of a tweaker really, and when writing digitally at a keyboard, tend to stop, think and edit a little as I go, which on a first draft, ends up taking an eternity, given the amount of editing and rewriting which occurs. When drafting in longhand, I stop, think, and then continue writing — saving the editing and revisions for a few inserted notes, highlights or strikethroughs later, followed by an automatic editing stage as the handwritten words are transcribed digitally the first time.

I find I am far more effective at actually getting from start to finish, and by the time the first digital draft appears in Ulysses, it has been reviewed and has been rewritten as it is transcribed.

A final read through and revision is (usually) all that is then required before publishing. Conversely, with all the stop start editing, a post beginning its life in digital form may see a two-fold increase in the number of edits and revisions made prior to posting, for I believe no great improvement in content or quality. Even the “just jump in start writing” approach was in the past more effective than the constant “write and tweak” which tends to occur the longer I have a post in my Ulysses drafts folder.

Put simply — drafting in longhand sees more writing and less endless tweaking. A win for me by any measure.

Pitfalls of this approach

With any approach to something like writing, things will never be perfect, and yes — of course there are some disadvantages to writing this way.

One such disadvantage I’ve found is in covering some of the same ground twice. At times I don’t always have the same notebook with me, and in picking up where I left off (or at least thinking I am), I’ll occasionally rewrite a section.

Why I do that is anyone’s guess, and you could validly argue why on earth wouldn’t I remember where I was up to — and to be honest I cannot really answer that. Of course this is simply a process fault which could be easily rectified by ensuring I do have a specific notebook dedicated to this process which is always available when I need it. The reason that perhaps won’t happen is that I’m often trying out different notebooks and enjoy a little variety what I am using. In any event, yes it may be wasted time in some respects, however on the plus side I do get to then choose from the better draft, and I’d also refer you to the more enjoyable writing paragraph above.

To a lesser extent, even when I do use the same notebook, given these drafts often occur in fits and starts over a number of days, most sections of the posts have other material interspersed on pages between them, so there is a little flipping backwards and forwards at times through the actual notebook. Not a big deal, and assisted by reasonably consistent indexing and notations of page numbers.

Finally, and probably most obvious to many who write digitally — time. Yes, this approach would of course take far longer than an exclusively digital form of writing, with syncing across multiple devices and ease of editing, rearranging and rewriting those words. If that is how you write, you’ll hear no argument from me, and I’m certainly not advocating throwing away your keyboard.

Things have simply changed a little in how I approach my writing, and I am finding it far more enjoyable these days, so thought I’d share a little about the changes, and my thoughts around these processes.

Signing off

There is nothing like sitting down and outlining, drafting and revising a post such as this one, to point yourself in the direction of possible improvements in some of these processes — and this one is no different.

It looks as though I may need another notebook or two, some more ink, and maybe even another pen. Such a shame. If my new-found longhand writing process requires a few more tools and a broader experience in using them — I’m all for it.

While you may not end up reading them all, I can guarantee there will be plenty of writing going on, and for that I couldn’t be happier.


  1. Of course here I exclude the Wiser Web Wednesday link posts, which are generally put together via the iOS share sheet extension and sent straight to Ulysses ↩︎

Wiser Web Wednesday

Wiser Web Wednesday – a semi-regular link to posts of interest from around the web, by those far wiser than myself:

 

Macstories
With another Apple WWDC now behind us, and it will be interesting to see what developers make of new capabilities — particularly on iOS. Federico Viticci writing on perhaps why less than expected time was afforded the iPad during the keynote.

I wouldn’t be surprised to see Apple move from a monolithic iOS release cycle to two major iOS releases in the span of six months – one focused on foundational changes, interface refinements, performance, and iPhone; the other primarily aimed at iPad users in the Spring.

Although many were perhaps disappointed — with the iPad Pro line now in full swing, surely it’s only a matter of time:
On iPad Features (Or Lack Thereof) at WWDC 2016

 

Apple
It was also nice to see one of my favourite and most used apps, Ulysses win an Apple Design Award at WWDC.

Still the app in which these posts begin and spend their lives prior to publishing, and I’m looking forward to the next version when beta testing is complete.

Congratulations The Soulmen:
2016 Apple Design Awards

 

MacSparky
Every time I begin to think about possibly purchasing an Apple Watch, I remember it is probably not something I’d really use enough to justify the outlay. The redesigned UI and improved performance do seem impressive from all accounts:
watchOS 3: Reality is Matching Hype

 

Les Posen’s Presentation Magic
I’ve enjoyed reading Les Posen’s Presentation Magic over the past few years. Though I typically don’t present with Keynote, there are plenty of tips on offer for presenting in general.

In my sessions with anxious patients, the task as I see it is to assist them to wind back or recalibrate the threat or alarm system so they may bring focus and attention to the task at hand.

As you can see from the snippet of content and title below — this goes far beyond the usual presentation advice. As a Clinical Psychologist, Posen is well qualified to take a deeper look at the Breathe App featured in the WWDC Keynote, plus a few others – and a heck of a lot more around the physiological responses associated with anxiety:
WWDC and the Breathe app for the Apple watch: Apple is only half way there to be really helpful for anxious presenters (and others)

 

Eclectidbits
Nicholas Gold with an impressive review of Montblanc’s new Heritage Rouge et Noir Special Edition fountain pen.

The Rouge et Noir takes Montblanc away from its standard designs (the 149, 146, etc) into the territory of its special, writers, limited editions without asking the buyer for the same level of budget commitment.

It’s not for me, however there are a good many for whom it is:
THE BLANC ET NOIR on the ROUGE ET NOIR

 

Harvard Gazette
An intriguing look at a selection of some of the 2500 samples in the Forbes Pigment Collection.

By the 1920s, Forbes had amassed containers of deep blues, rich purples, vibrant yellows, and myriad other colors from his travels to Europe and the Far East.

One such sample is kermis — the source of the word crimson:

…an Old World pigment created by grinding tiny blisters produced by the insects Coccus ilicis, which lived on the kermes oak tree.

Fascinating stuff — a hat-tip to Smith Journal for this one:
A wall of color, a window to the past

 

The Gentleman Stationer
Joe with an update of the “Tier One” pen list on The Gentleman Stationer. I’m currently just putting together a basic pen index for this site, let alone adding any further categories into the mix. Perhaps in time.

Although we all have our personal preferences and favourites, I cannot see there being too many arguments here:
My “Tier One Pens” List (as of June 18, 2016)

 

Gourmet Pens
The Pelikan Stola is certainly on my list of possible purchases in the future, and part of that allure is a Pelikan without the usual price tag (not that I’m suggesting the quality isn’t worth the money on some of the pricier models). As an every day writer, it looks to fit the bill1 nicely:
Review: Pelikan Stola P16 III Fountain Pen

 

The Pen Addict
In picking up refills for both my own, and my son’s Pilot Hi-Tec-C Coleto multi pens, I often see the Uni Style Fit gel refills alongside them. I’ve never really been that enamoured with the basic Uni Style Fit pens though, however must admit the Meister is a decent looking instrument:
Uni Style Fit Meister Multi Pen Review

 

Ed Jelley
I’ve been looking at various iPad cases and keyboards lately, and appear to have narrowed things down considerably towards a final purchase.

A great review of worthy case contender here:
Galen Leather A5 Notebook/iPad Mini Case Review

 

The Whiskey Wash
A brief tour of some of the whisky producing islands in Scotland.

There is no distinctive Scotch whisky style in the Islands. Peat has a long association with the whisky industry here, but the use of peat varies widely depending on the distiller.

Who doesn’t love a little variety:
Getting to Know Scotch Whisky: The Islands

 

Starward
A couple of Starward Whisky based winter warmers for these slightly cooler temperatures:
Easy whisky cocktails to make at home this winter


  1. Entirely unintended, however I’ll take that pun. Surely …surely it’s never been done before. ↩︎

Wiser Web Wednesday

Wiser Web Wednesday – a semi-regular link to posts of interest from around the web, by those far wiser than myself:

 

Matt Gemmell
As a site member of mattgemmell.com for a little while now, it’s been exciting to hear how things have been coming along with Matt’s novel — even gaining a sneak peek on the odd occasion. That all pales now though, with the recent official announcement and cover reveal.

Summing things up in one quote is probably best left to those who now what they’re doing, so I offer you this from the author:

A scientist is drawn into a race against time to prevent an impending disaster that will claim millions of lives. His allies are an elite covert special forces team, but their adversary is a ruthless man with an unnatural ability, who seeks to hasten the cataclysm.

I for one am excited to soon have my hands on the finished product, and if the above sounds like something of interest to you, sign up to be notified the minute CHANGER is available (later this month) through the following link:
Announcing CHANGER

 

Stephen Pressfield
What follows in the quote below sounds like a description of many a blog post sitting in my unpublished or drafts folders in Ulysses:

For years I dove in on Page One, put my head down and started hammering keys. That’s not always a bad idea. Sometimes it works. But what usually happened for me was I’d get halfway through before it hit me that I was totally lost. Or I’d finish completely only to realize that I basically had to tear the whole house down and start over.

Of course there is no comparison between this blog and the significant projects Mr Pressfield speaks of. Nonetheless, I’ve also admonished myself with the title of the post on more than a few occasions as well:
Writing Wednesdays: “Just Write the Damn Thing!”, Part One

 

The Cramped
The Cramped offers a few ideas for indexing your notebooks.

Mine is your typical date, page heading/topic and page number on each line in the first couple of pages of a notebook. Numbering is on the bottom right corner of every right hand page, beginning at 1 and increasing in two’s (I’m not sure why I thought that would be of interest to you however in the context of the link felt compelled to share).

I also highly recommend INDXD, the web service for keeping track of it all:
Some Indexing Methods for Notebooks

 

jimseven
Having always enjoyed James Hoffmann’s writing on coffee, this was an immediate sign up to receive the newsletter.

While there’ll definitely be more of a business slant to it, I don’t think this will be exclusively written for business owners, not by any stretch. The premise is more that I think there’s inspiration and interest in a variety of  fields connected to, or outside of, coffee. I believe that those of us working in coffee industry are in a place where we need to be challenged and inspired.

Issue one is out, and yes, I enjoyed it. Recommended if you have an interest in coffee and think you might enjoy reading about it (and topics around it) from an industry leader:
A new newsletter

 

European Coffee Trip
Of course it is very different for those working in the industry, however there is a lot to be said for simply going out and enjoying a cup without too much analysis.

When I am in Italy I actually enjoy drinking espresso with sugar. Although it is not a great quality, it has that Italian taste that I kind of enjoy. I am not searching for the best espresso, when I am there. It’s part of the culture I enjoy, just being in an Italian espresso bar, watching the culture and drinking the espresso, without having to analyze it too much.

Some thoughts on this and a few other things from another industry leader:
7 Questions For Tim Wendelboe

 

MistoBox
The big catering sized coffee tin is generally a bit of a disappointment in most offices.

If you want to take your coffee to the next level in your office, the name of the game is still finding an easy, convenient solution that isn’t too fussy or too expensive, but still makes really damn tasty coffee.

For me, the solution is an Aeropress with sealed pre-ground doses from home each morning. I’m pretty happy with the results, and a grinder in the office probably mightn’t necessarily work in many of cases:
Ask Seth! Brewing Coffee in your Office

 

ScotchWhisky.com
Of course it’s about what’s in the bottle, however I’m not immune to being drawn in based on looks alone (am I really that shallow?). Of course a purchase isn’t guaranteed from that point – but that’s often budgetary rather than aesthetically driven.

To get to the point – I like it:
Glen Grant overhauls brand identity

 

Best Fountain Pen
Whenever you read a review of the Pilot Kakuno it’s all about the great nib — and rightly so.

This nib lays down a flawless line and the fine nib is just what the doctor ordered for people who actually want a fine line from their fine nibs.

I continue to raid my son’s stationery drawer every now and then:
Pilot Kakuno Review Fine Nib

 

From the Pen Cup
An awesome lady with an awesome-laden jar. I’m really enjoying these Pens in Real Life posts Mary is putting together:
Pens In Real Life: The Jar of Awesome

 

Pen Economics
Another brand analysis — this time looking at that just about everywhere brand that is Lamy. To be honest I cannot recall looking much further than the couple of 2000’s I have in my collection (which I do love) as far as the premium end is concerned:
Brand Analysis: Lamy

 

The Hyperpessimist
Further to the link above, a viewpoint from a resident in Lamy’s home market, Germany.

I really liked the Safari back then and I also like my Lamy 2000. But their other premium pens? I am completely at a loss why these exist.

In the context of all this, I’ve had to search what the “other premium pens” in Lamy’s lineup actually are (and I say that merely through a lack of knowledge rather than inferring anything else). I suspect this might not be uncommon though.

But I disagree on the cheap segment. So far, Lamy does not have anything to fear from the Pilot Metropolitan (or it’s european variant, the MR) or TWSBI Eco in its home market, Germany.

Another interesting read:
Lamy From Their Home Market

 

Too Many Inks
In my books there is no one more deserving of some ink samples to play with — or should I more correctly say review. David does a great job in providing us with the very first look at a new ink release from Bookbinders Online, adding to their Snake Ink range introduced earlier in the year.

Being in the market for a nice red, I’m certainly interested, and after all, one can never have too many inks can they?
Three New Bookbinders Snake Inks

 

MacStories
Despite the fact this is a free app (now with increased features through in-app purchase), I’ve yet to give it a run, which is something I plan on rectifying soon.

LiquidText 2.0 can export every excerpt and note as plain text, which I should be able to import in Ulysses to start writing.

Hmmm…sounds interesting from someone who’d now about such things:
LiquidText 2.0 Brings Support for Multiple Documents

 

AFR.com
Having used Guvera as my main music streaming service for the past 6-8 months, I’m hoping things are looking up, as recent changes have seen much of my preferred music drop off the service for some reason or another.

The streaming platform has 14 million users in 10 countries, but unlike most subscription businesses, Guvera’s revenue strategy is focused on brands advertising on the platform, rather than subscribers.

In relation to the brand advertisements, Virgin mobile is a heavy one, however part of my love for Guvera (other than supporting an Aussie based startup) is the bonus 1GB of mobile data I receive each month for using the service as a Virgin mobile customer.

Interesting times ahead in a pretty competitive market:
Music streamer Guvera raising up to $100 million through ASX listing


The Bean Brewding Self-guided CBD Coffee Tour

2016-06-04 coffee_tour_frontSpecialty coffee has certainly enjoyed a rise in Brisbane over the past three or four years. Although a number of cafés and/or roasters have emerged in suburban areas, for workers in and around the CBD there has never been a better time to sample some of Brisbane’s finest coffee.

If you are inclined to agree, though are perhaps wondering where to start or visit next, Glenn and George at Bean Brewding have things well and truly covered. The team behind Brisbane’s first and only coffee tours (running since 2012) have devised a handy Self-guided CBD Coffee Tour, mapping your path to some of the better coffee stops across the city of Brisbane.

You can find out more about regular coffee tours of various regions in and around Brisbane, as well as other one-off events on the Bean Brewding Coffee Tour Page, and having attended several, I can highly recommend them.

The tour is a stroke of genius, and reminiscent of the “disloyalty” card which sprang up in London (or so I believe) a few years ago. Regardless of the name, the idea is to guide the budding sipper to establishments where great coffee is served, however might be outside the usual well-travelled radius from your office. Of course I should also acknowledge working in the Brisbane CBD is not a pre-requisite to enjoying the great coffee it has to offer either.

2016-06-04 coffee_tour_list

Listing eight cafés from Margaret St all the way across to Roma St and many in between, the tour operates in a similar way to the well-known loyalty card concept — in which your final stop (in this case the eighth coffee) is free. I’d argue however, the benefits of embarking on this journey far outweigh simply saving a few dollars.

In one sense, yes, it is a geographical journey around Brisbane’s CBD – however it is also a journey through different styles of coffee, roasters, brew methods, and cafe environments. It’s a way to experience something different, yet of a quality endorsed by some of Brisbane’s most experienced coffee drinkers. It’s choosing to step off that well-worn path from the office to your “local” and back.

For me, it is also the unexplored adventure of visiting somewhere a little different, in perhaps an unfamiliar environment — and revelling in the experience for a short while before that inevitable return to those elevator doors back at the office. If you think that’s overstating things a little, perhaps you don’t see your coffee and lunch breaks the same way I do. Fair enough — though either way, I believe you’ll enjoy this tour.

As they say, every journey begins with a single stamp (or something like that anyway), and I’m away. Of course as you can see, the one I have collected so far is at the end of that well-worn path I’ve referred to above, however I’ll get there. You see for me personally, my cafe life is a hopeless combination of familiarity and loyalty (the merits of which I am happy to vigorously defend), so I plan on using this card to do exactly what I’ve suggested above — sample the delights this city has to offer, and with the weather that little bit cooler, there has never been a better time to charge around the city.

So, whether you plan on working from top to bottom, or perhaps random number generating your way around — pick up a card from any of the participating cafe’s and get started. I’ll see you on the trail, or perhaps at the brew bar, and do check in with the hashtag brisbanecoffeetour — I’m sure the guys would enjoy hearing of your journey. Whichever way you go, might I suggest the idea is probably not to get through the entire list in one day.

Though I’m sure if we start early enough…


Wiser Web Wednesday

Wiser Web Wednesday – a semi-regular link to posts of interest from around the web, by those far wiser than myself:

 

Gorgeous.Ink
With a few Pilot Custom series pens sitting safely in my collection (many among my favourites), I would be lying to say the 823 won’t join them at some point in future.

…this filling system has seals that shut off the ink flow to the feed when the finial is screwed home. When writing more that a paragraph, the user must unscrew this finial approximately 2 mm to allow ink to pass by the internal seal and into the feed.

I’d agree with the conclusion of this great post from Paul, and in keeping with that theme — who’s going to pick one up for themselves? Anyone… anyone…?
Pen Review: Pilot Custom 823

 

Three Staples
The latest Field Notes Colors edition comes under the Three Staples lens.

Overall a unique and cheerful edition that reminded me once again that there’s never a dull moment in COLORS. But too many less-than-ideal features, like perforation, impractical body paper colors, and no ruling (my least favorite kind) make me place Sweet Tooth towards the bottom of my Field Notes ranking

Certainly a visually impressive edition, however as Jinnie concludes, it comes with a combination of features which certainly won’t suit everyone:
Field Notes Colors: Sweet Tooth

 

Too Many Inks
Queensland’s favourite ink collector again raises a nib after the scorer ticks over another milestone. This time a Ton of Noodler’s inks.

The post also includes some nice featured images of special editions taken from the ten by ten “grid of champions”:
One hundred bottles of Noodler’s ink

 

Pens! Paper! Pencils!
Ian takes a look at the music nib variation of the popular Platinum 3776.

I’m able to use this for day-to-day writing, which is not something I can say about other music nibs I’ve tried.

Although things may evolve in future, at the current time this is a key philosophy in the pens I own — there must be some element of everyday usability to make them worthwhile:
Platinum #3776 Music Nib Fountain Pen Review

 

The Gentleman Stationer
An enjoyable read and great overview of the world of nib customisation.

When you walk away from an appointment with a nib technician, you should have a pen that writes perfectly for you and your writing style.

Depending on your access to a nib technician, there may be some blind experimentation occurring with an online order, though I think on most occasions the results are positive:
An Introduction to Nib Customization

 

The Finer Point
Although I’m always happy to share samples of them here, as far as any attempt to make a go of the Bullet Journal system myself is concerned — the answer is a resounding no.

Some impressive pages here, however I just couldn’t do it myself. Hats off to those who can and do:
My First Steps into Bullet Journaling

 

From the Pen Cup
What can I say about this one?

Makes me want to go shopping:
Pens In Real Life: Taking the Gross Out Of Grocery Shopping

 

The Odyssey Online
Bethany Hargrove with a view on the daily life of a service industry worker, and the not so clear boundaries and customer expectations within it.

People in the service industry are getting paid to talk to their guests. It’s a crude description, but it’s true. I’m on the clock, and I most likely wouldn’t talk to you otherwise. My job is to be nice to people

True enough no doubt, though I can’t help but think some customers would make those dollars a little harder-earned:
Boundaries In Hospitality: Well, It’s Complicated

 

Daily Coffee News
If you’ve seen the recently updated coffee taster’s wheel (contained in this link), it may look just as overwhelming as the previous version.

With 116 identified attributes, the Taster’s wheel would seem to be a confounding prospect to anyone who doesn’t cup coffee professionally

Simplifying things quite a lot, I think the Drinkers Wheel is a great idea.

By contrast, the Drinker’s Wheel is remarkably simple, offering only six primary attributes: Nuts, Chocolate, Floral, Sweet Fruit, Bright Fruit, and Spices and Herbs

Providing some guidance towards the broader flavour groupings, and once mastered, should serve as a stepping stone to some of the more nuanced flavour profiles of the larger wheel:
This Coffee Drinker’s Flavour Wheel from Belgium is an Interesting Marketing Idea

 

Fika: to have coffee
What’s not to love about a documentary featuring a way of life in which coffee is an integral part?

Whether it’s with friends, family, or simply a great pen, blank page and potential – I think the Swedes have this one figured out:
The Series