A Few Montblanc Ballpoint Refills

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I’m not really sure why I began accumulating various refill colours in the Montblanc ballpoint range. Assuming of course you call a grand total of six colours an accumulation – it certainly isn’t a collection by any stretch of the imagination.

A pen requires a refill of course, and with over 12 months of daily Montblanc M ballpoint use well and truly behind me, a single shade throughout that time was never going to suffice. To those fond of their writing instruments, a pen without interesting ink…

Generally speaking

As I’ve mentioned, while this particular list of refills fall short of a comprehensive list, they are a few I’ve rotated through using on a daily basis in the office. The performance of each has been without issue, and I’ve enjoyed blob and skip free output the entire time. In my experience at least, they are high quality, reliable refills.

The pen itself has also been rock solid in terms of performance over that time, and I certainly cannot fault it as an everyday workhorse.

Paper has been your typical office copy variety, with daily task lists housed in a variety of notebooks, recent examples include Baron Fig’s Vanguard and Confidant, and also a Field Notes Byline. More extensive note taking during meetings or conference days occurs in a Leuchtturm 1917 B5 soft cover notebook. Phone numbers, ideas and working notes typically end up on a $4.00 per 400 page jumbo A4 lecture pad.

As you’d expect of a ballpoint, all paper types are managed with ease, and as I’ve alluded to above, no ink blob build up develops on the tip — even on the cheaper, low-end stuff.

The inks

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Below you’ll find a couple of thoughts, an example, what I use it for and how much use it gets. I’m not an ink reviewer, and perhaps some may argue ballpoint refills are not worth writing about at all — yet I beg to differ, and here we are.

The illustrations you see are a product of a far more talented hand than mine — my daughter Emily, whom I sincerely thank for contributing a far more interesting take on each colour than I could have imagined (or produced) myself.

For reference, filter by “Ballpoint” on Montblanc’s Refill page. I would recommend proceeding with caution though, for of course nothing but temptation awaits. With the James Dean Great Characters Edition Rebel Red being added since I initially picked up that link, for ”completeness” it was necessary to go out and buy that one as well, and you will find it included below.

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All purchases were made at either the Montblanc Boutique, Brisbane, or Pen and Paper, Brisbane.

Pacific Blue

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A safe, and perhaps somewhat predictable choice.

Given the choice at the time of a pen purchase, I usually go with blue — and the Montblanc M was no different.

Living on the east coast of Australia, I could probably say Pacific Blue is the most appropriate of any shade to use in the M. Of your “standard” office colours I tend to use blues a little more often than black, which is also the case with my fountain pens. Perhaps I find them a little less overpowering than a page full of black on white. A little calmer perhaps?

In any event, the Pacific Blue would certainly be described as your mid-spectrum shade, and what I’d call a standard blue – if one indeed exists. Lighter? Well I guess there is the UNICEF Blue, and heading towards a greener shade is the Barbados Blue. If you add the Homer Writers Edition into the mix, there is no shortage of options. I can’t imagine there not being something to suit most tastes.

In choosing a blue, I tend to favour mid to darker shades, with the those on the lighter side sometimes coming across a little washed out. The Pacific Blue certainly packs enough punch to hold its own on any page, and also through a copier or scanner should that be part of a page’s journey.

Mystery Black

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For a bold, strong, executive flourish.

That is, far from anything I really require in a pen, however if you were looking for something like that — this would do it.

With Pacific Blue included in the pen, I also picked up a twin pack of broad Mystery Black refills, in the knowledge the pen would see the majority of its use in the office.

The broad designation is true to its name, and combined with the deep black ink colour, a thick, full line results. It’s black. Very black. What you see is what you get.

There are times when I find the broad tip a little too overpowering (perhaps in conjunction with the deep black), yet on other occasions not so. More so on smaller notebook pages for example. If I had to pick one size and live with it for the rest of my writing days, it would be medium. If you were to then require me to nominate a colour for the same purpose, it would be a much harder choice – though next on the list below would be a contender.

The Beatles Psychedelic Purple

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Come for the packaging, stay for the refill colour.

If I’m completely honest about this one, it was more about the box than the refill – at least initially. I imagine anyone fond of a little colour may be of similar thinking. When The Beatles Great Characters limited edition range was released a couple of years ago, I was immediately drawn to the colourful stripes which were part of the branding and design (those pens…). It’s a look I’ve been fond of over many years in the product lines from Paul Smith, providing a little escape from boring business black.

With one of my favourite designs front and centre, and keeping in mind the last time I spent over $1000 on a pen was approximately never, it was time to scan the product line for something else. While my common default in taking this option would typically be fountain pen ink, on this occasion, enter the ballpoint refill.

Psychedelic is indeed a good descriptor, for this one is a “lively” purple – electric you might say? However you describe it, there is enough similarity for this one to sneak by in place of your standard office blue, though as you can see in the associated image it is far from that. It’s The Beatles – there can only ever be one (or four I guess — but you know what I mean).

Performance is everything I’ve mentioned so far, and I do love this colour.

Le Petit Prince Orange

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Something a little unusual.

One of the more recent in Montblanc’s Limited Edition releases, and is more an orangey-brown if you will. Based on the colour of a fox, it does makes sense we are not talking too bright an orange. For that, I assume you head towards Lucky Orange. I do wonder whether the fact it is not really brown nor is it really orange may hinder the popularity of this colour, though it probably won’t. I guess there are enough people out there like myself looking for something a little different.

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The best part about this refill? The smile it puts on my face when I’m swapping it into the barrel. While not perfect, the accents are certainly a great match, and sometimes — no, most times — it is the little things.

I am quite fond of this colour, despite the fact it is perhaps the least used of the bunch I’ve written about here. As I’ve mentioned, the Beatles Purple is close enough to blue in many cases, however an orange doesn’t lend itself to much of the “official” office work. The same can also be said of the Fortune Green. Nonetheless, it isn’t hard to pick up one of my black gel pens for signing a document if the M contains one of these allegedly “outlandish” refill colours at the time.

You know, the more I doodle about with this colour as I’m writing this, the more I think Montblanc nailed the shade. Fox colour alignment aside, it is strong and definitive in its own right. I wouldn’t call it a bold colour necessarily, however it knows what it is, and faithfully lays down on the page with confidence.

Yep – I like it.

Fortune Green

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Because I didn’t have green. Enough said.

Bought this one on a whim because, well… again — I’m not sure really. The opening statement above is pretty close to the truth. I am very lucky to have the Montblanc boutique and two other specialist pen shops within two blocks of the office, For impulse purchases just to brighten my day a little (exactly what I needed on that particular day if I recall), there is nothing like a new ink colour — be it bottle or refill. Of course the added benefit of such purchases being they do not break the bank like other emotionally charged retail therapy (the Apple Store is within the same radius from the office, and I’ve indeed brought myself back from the brink numerous times there…). I’m yet to make my fortune, so the green refill it was.

At the time I had no particular colour in mind, and compared a couple of greens (I think the other being Emerald Green), finding the Fortune Green to be that little bit deeper in colour compared with the Emerald version. That being said, although it’s a nice green, still pales compared to the Irish Green fountain pen ink which is one of my favourites. Of course I’m not comparing the ballpoint output to a fountain pen, they are merely at different points of the colour shade spectrum, irrespective of the delivery mechanism.

I tend to use this one for markup notes on longer documents, not necessarily wishing to slash across the pages with a cheap red. I wouldn’t say I’m not fond of this one, however haven’t used it quite as much as the others, likely due to the recency of its purchase.

James Dean Rebel Red

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I have to admit — a purchase completely without cause…

Yep — this is what happens when you poke about checking links for a post. You stumble upon yet another colour release which more than likely fills a gap in your current line up.

Montblanc describe the colour of this particular Great Characters edition as being inspired by the red leather jacket worn by James Dean in the 1955 film Rebel Without a Cause.

What can I add here? Well, it is indeed red, though a little more subtle than your typical fire engine type red ballpoint pens, though also a touch brighter than a red velvet or the like. Although it’s early days with this one, I do quite like it.

Perhaps I feel like marking up in red after all…

Signing off

If there is one thing I’m reminded of when I pick up one of these new refills from the array on offer, it’s that I made the correct decision to go with an M ballpoint – despite my fondness for rollerballs. It would seem the ballpoint market is quite healthy, and perhaps more limited editions in this format are sold given it is the cheapest price tier for the pens. I can only assume it isn’t people such as myself poking around looking for different colours which make or break the market segment.

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In any event, I cannot argue with the popularity of the ballpoint pen – Montblanc or otherwise. They perform well, are easy to swap (say, if you are someone who likes to accumulate a few different colours…), and offer an extremely practical everyday solution. Sure, most of us in the pens-are-a-passion realm probably aren’t in it for practicality, though when times require it, why not be using something just that little more unique or enjoyable?

You’ll find me with blue, black, or something very close for standard office use, but for anything else it’s open season, and I’d be hesitant to suggest those above will be the last…

 

 

My Ultra Black Montblanc M Ballpoint

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A little time spent searching online doesn’t return much in the way of Montblanc M Ballpoint reviews, a notable exception being this recent post by Mike Dudek. I guess I shouldn’t really be surprised. Perhaps I should be embarrassed about spending this type of money on a ballpoint pen. Money which should be spent on taking me deeper into the unique designs, materials, or custom nib grinds of a fountain pen.

Whether or not the lack of reviews in existence say anything about the hobby itself perhaps missing a beat is a question not really requiring an answer. I think we’d all concede the inexorable draw of the fountain pen is pretty tough to resist, however perhaps comes at the expense of missed opportunity elsewhere? The number of times whether, perhaps, and maybe pop up in these types of posts all point to one thing of course: personal preference. Some might agree with what I have to say below, others wouldn’t be caught dead with a ballpoint. The burgeoning popularity of indie designer and Kickstarter pens is perhaps (there it is again) a sign of interest in broader horizons.

In any event, following on below you’ll only find discussion about a ballpoint pen — one finished in black at that — and certainly no embarrassment. You may recall embarrassment was covered in the initial post about this pen, though squarely in relation to trying to buy the pen, not about buying such a pen.

That said, market analysis or philosophy this post is not. What it is though, is a slightly more detailed look at my Montblanc M Ultra Black Ballpoint. So on with the show.

Look and Feel

Appearance

Yes, it is indeed black, though as I touched on in my previous post, I have a certain fondness for matte and brushed type finishes — think the Baron Fig Squire, Lamy aion, or the Makralon of the Lamy 2000. With the majority of Montblanc pens out there on the glossy side of the ledger, the Ultra Black finish which now exists through some of the range was always going to well and truly tick this box, and I certainly would not have added the M to the fold without it.

One thing to note here though — and plan for it if you are considering a purchase — after some use, your hand will polish a “sheenier” look to the area it comes in contact with (i.e. the middle of the barrel). I’ve gone with this description because while I wouldn’t call it shiny, let’s say it will become less matte – particularly evident when the now slightly contrasting cap is placed back on. And that, friends, is where this pen earns a whole new level of affection from this owner at least.

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A little less matte on the barrel after a few months use

I love it. It’s the polished wood grain on a well-worn tamper handle; the softened, worn leather spine on your notebook cover, or even the small callus on my finger from hours of a resting a pen. It is a sign of earning its keep — a tale of words gone by and thoughts recorded.

Should that process take a little longer than a few months? Maybe, though I’ll take it either way. Is it likely to bother you? Perhaps, however that is something only you can answer. Certainly worth noting though if that sort of thing might be a problem. Particularly so, given the vendor from whom this pen was purchased confirmed seeing this on other Ultra Black finished pens. I’ll assume it is a standard occurrence unless there are a majority of Ultra Black users out there who have not seen such a thing happen with theirs.

Most of you reading would already be aware the M design is a collaboration between Montblanc and designer Marc Newson, with more information available about this through the next link.

The overall design gives an outward impression of solid build, and the aesthetic is one of… yes I’ll say it: simplicity. The appeal of the M design for me has always been the balanced end to end uniformity, offset with that emblem plateau. For those more in tune with design – from Montblanc on Marc Newson’s work:

When his trademark biomorphic style meets the iconic design cues of Montblanc, the result is both unique and timeless.

…the writing instruments’ fluid lines flow gently into one another. Moving from the Montblanc emblem on the cap, along the platinum-plated clip, which magnetically aligns with a white precious resin Montblanc emblem on the perfectly flat “plateau” of the barrel, consummate forms express visionary design.

As I’ve alluded to already, I like it a lot, however I do tend to enjoy what I’d consider “clean, modern design” for want of a better term. While I understand the appeal of colourful swirls and the like, here (whether gloss or matte), I can only ever see this design in uniform colour. I don’t make the decisions of course, and I’m certainly glad Montblanc gave the green light to the Ultra Black version.

Combined with the accents of a gently knurled, gunmetal grip section and a platinum-coated clip, the overall colour palette befits the design and a Montblanc modern aesthetic. The little flair of orange where the section meets the barrel almost has the appearance of an o ring seal, however is simply a deliberate decision to extend the plastic lining from inside the barrel and section for a little flash of colour. I doubt my appreciation wanes without it, however again, I love that it’s there.

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Magnetic cap alignment – almost…

The M is a decent size without being an overly large pen, and I suppose you’d call it a cigar shape, though the ends are a little more blunted than say a Sailor 1911 by comparison. For reference, with the exception of the end taper, the dimensions are quite similar to the Lamy 2000. The snap-on cap and clip are solid, without being overtly flashy. The hero feature of the cap, of course, being the magnetic alignment of the clip with the plateau emblem, which prevents the cap being secured in anything but “perfect” alignment. This feature works almost perfectly, with my clip aligning about 10–15 degrees to the left of the emblem plateau — something which should bother me, however after noticing it in the initial few days after purchase, I’ve not thought about it since, except to raise it in this post.

I’ll touch on my main reasons for picking up the ballpoint version below, however I don’t find any single thing to be the killer feature for the M line of pens. To use that old adage, it is a champion team, which will — they say — always beat a team of champions. It is a pen best taken whole. Probably not the clearest description of things, though sums up my thoughts well enough.

With the Montblanc M range (ballpoint or otherwise) I think it is definitely a case of what you see is what you get. Even from online images, I think you can be fairly confident in your initial impressions of either being fond of the design or not. As always, being able to pick up and hold a pen is certainly an advantage with any consideration around purchasing.

In the hand

So outwardly it is a solid looking pen — what about in the hand? I’d say pretty much the same really.

This is definitely one of those “solid, yet light” pens — even when posted, which apparently was not possible in the initial release, however the M pens now sport a “plateau magnet” to enable posting. In a purely subjective preference, I’m not a poster of any pen (save for those requiring it such as a Kaweco Sport), and here it just doesn’t feel right. I’d say at least 90% of the time the cap is on my desk anyway (another reason the magnetic alignment doesn’t bother me). Other times it will be beside my notebook in a meeting or failing that – in my pocket. If I’m stepping into a meeting within the office, I’ll often carry the pen sans cap anyway.

I’m aware the area around the grip section tends to be another opinion divider with the M line of pens. Heading towards the tip, there is a staged series of steps from the barrel to the section, another down to the convergence nearing the tip, before the refill makes its appearance. The latter two are of no real significance, however the barrel to section transition may be, depending on your grip and preference.

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To some, that flash of orange I mentioned may be a “warning — do not proceed,” however I’ve never really found pens with a step down at the grip to be a problem (though again, it goes without saying that will depend on your grip). In fact, I’ve found this one even less so, for the ballpoint refill gives you a 360-degree option in positioning and practically unlimited angle positions. Essentially every spot is the sweet spot. Choking down on the grip a little results in all my fingers residing on the knurled section, or moving further up the barrel, my index finger controls the section, thumb and middle finger above it. I tend to fluctuate between the two, and as you can imagine, use the step as a reference point.

For the type of money we are talking about, I’d say everything certainly does need to be just about perfect — so if you have any reservations at all about this feature in the design, I’d recommend an in-person inspection and test prior to purchase. Bear in mind I refer to “perfect” as perfectly suited to your preference and grip style, rather than some sort of “absolute” perfection.

If these aspects don’t align with your expectations or requirements, then that is simply that. I think we need to get past any suggestion the manufacturer has “blown it” or made some “serious error in judgement” for their design choices at least — regardless of the company. The fact this pen suits me perfectly makes it no more designed for me than not designed for you. The finished product is simply how Montblanc – or for that matter, Marc Newson – designed it.

Unposted, I find the M very well balanced, regardless of a grip above or below the step, and it is a pen which will handle longer writing sessions should they be required, doing so with a high level of comfort for the user.

More on this when we get to writing below.

Specifications

  • Model: Montblanc M Ballpoint
  • Finish: Ultra Black; Platinum trim
  • Barrel: Black precious sandblasted resin; inlaid emblem on plateau
  • Cap: Black precious sandblasted resin; inlaid emblem
  • Closure: Magnetic snap on
  • Weight capped: 27 grams
  • Weight uncapped: 19 grams
  • Length capped: 140 mm
  • Length uncapped: 123 mm
  • Diameter: 13 mm
  • Refills: Montblanc Ballpoint or compatible
  • Price: AUD$610.00 (Montblanc International 2 Year Warranty)

Note the measurements above are my own, so assume they are approximate, yet will be pretty close if not exact — difficult to find any documented specs anywhere.

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The pen was purchased from Pen & Paper in Brisbane, Australia, in December 2017.

Writing Performance

The refill

I for one will say these Montblanc ballpoint refills write like a dream — well yes… a dream ballpoint. This not being a debate on the merits of ballpoint/gel/rollerball/nib – I purchased a ballpoint for a reason, and everything I need it to do, it does in spades.

I’ve rotated through three different types so far: the standard Pacific Blue in medium and the Mystery Black in broad. Although only available in medium, I could not go past The Beatles psychedelic purple — love the colour, love the refill box. Incidentally, the availability of many of the special edition colours is another factor weighing heavily in favour of the ballpoint version of the M compared to the rollerball. If that is of any importance to you it is certainly worth considering.

 

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Refill colour options are numerous compared to the rollerball version of the M

 

The medium is definitely my preferred width. While I enjoy the richness of the broad’s line (the medium holds up well here in any event), with all of that ink being laid down I find things get a little slippery, and the pen skates away from me a little on the page.

Irrespective of width, when talking refills, there are a couple of deal-breakers for me when it comes to writing with ballpoints. Firstly, ink build up on the tip. I used to regularly find this with Parker refills, or cheaper no-name brands. I have not used either of these recently so perhaps things have improved.

I also very much dislike it if the refill rattles around, moves or makes an audible click when the pen contacts or leaves the surface of the page. That thing has to be well-held, and held in perfect or at least near-perfect alignment — not too proud of the housing nor stuck too deep, for either will annoy me during use. It does, of course, help that the M is capped, removing the need for any click or twist knock mechanism which may contribute to play in the refill fit.

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My fondness for this pen would suggest Montblanc have these areas well covered, and I can confirm they certainly have. The spring tension and refill tip alignment are perfect, and the Montblanc refills I’ve been using these past six months or so have all been flawless in their writing. Smooth, rich and vibrant lines in their respective colours, with no skips, hard starts or clumping in any way, shape or form.

Finally, there is something very satisfying about simply unscrewing the section from the barrel, swapping in another refill and away you go — all in about 20 seconds. Call me a heathen if you like, however I’ve always enjoyed the convenience of ink cartridges in my fountain pens as well, notwithstanding a required flush when changing colours.

Comfort and use

As with any writing instrument, your intended use will really determine whether the M — and the M in ballpoint for that matter — will indeed suit that purpose.

 

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Whether many words or a few… the M Ballpoint has it all covered

 

Personally, I’ve used this thing for meeting notes, letters, and report mark up, however 90% of the time it is on my desk ready to jot down a phone number, take a few notes to organise my thoughts or sign a document. If I consider the uses I put this pen to at the office (often with less than ideal writing conditions), the ballpoint format I consider just about perfect. Conversely, if I were after something to use at home, on my paper of choice for page after page after page, a nice fountain pen may be a better fit. The right tool for the job.

Does this imply some form of compromise in what I am using at the office? Far from it. I have quite a few fountain pens, and as you are probably aware, enjoy using them immensely. While generally fluid and effortless writers, they do less well in some of the situations I put them in at work (think dry time on a document passed around a table for multiple signatures, or sub-par office copy paper). At home, I’m more inclined to pick up one of the more balanced fountain pens in my collection (Sailor 1911 Large, Pilot Custom Heritage 823 or Pelikan 805) if I plan to churn through several hundred to a thousand words or more in a sitting.

One thing I can say is I’ve found the M ballpoint to be considerably more comfortable over an extended writing session than I had originally expected. It is extremely well balanced, has an always-in sweet spot, and provides an effortless experience between writer and page. From both a practicality and usability perspective, it is really everything I could ask for.

Signing off

Well, that folks, is my Montblanc M Ballpoint in Ultra Black.

Sure, it might roll away if placed down uncapped, the finish wear to a slight sheen, and the cap not quite align with the emblem plateau. You might (quite validly) argue that for the price, no such comments should appear in this post, let alone be flippantly dismissed. I wouldn’t disagree, however as you can gather, none of these aspects bother me, and I quite like the subtle change in finish. Once, they probably — no definitely — would have bothered me, however over recent years I’ve come to learn what really matters to me.

Of course, appearance and design are what draw me to a pen in the first place, however in my deal-breaker categories of balance, grip and refill performance, in my experience, the M sits squarely in my sweet spot for all. There is no compromise in seeking and finding a ballpoint — of all things — to be the right tool for the job.

Not only that, the Montblanc M ballpoint is a joy to use, and let’s be honest — if you are writing without joy? That right there is the real compromise.

 

Perhaps M is for Madness

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Montblanc M ballpoint in Ultra Black

The Montblanc M series of pens.

Are there reasons so compelling we’d happily open our wallet and forgo several hundred dollars for the privilege of owning one? Perhaps some of us may waver a little in answering that question, others definite one way or the other.

Now substitute another make, model and type of pen in the AUD$500 plus price bracket and ask the same question. Heck, substitute another product instead – leather goods, watch, anything you care to think of. Same answer? Maybe, maybe not.

I recently bought one and I love the damn thing. I guess the kicker being I bought the ballpoint.

An obscene amount of money to spend when you won’t even find a nib on the end? Sure is, though if that’s the language we’re using, I’d suggest it’s probably no less obscene regardless of what hits the page at the end of the barrel. Once in the world of pens, we’re really into respecting choices rather than providing judgement aren’t we?

Now is the time to nod if that isn’t what you’re seeing in the reflection of your screen at the moment.

Outlining the rationale of such a purchase to a longstanding office cupboard company-supplied plastic throwaway user? Perhaps a little more challenging. That same challenge probably becomes insurmountable when having the words “oh I just really like using fountain pens” not available to you in said conversation.

Mind you, I have not actually had such a conversation, and were I to find myself in it, probably see it ending fairly quickly as I wandered off with a trailing “ha… yeah, oh well I like my pens, so you get that I suppose…”

I guess that’s why we write about them instead. Looking around, there are many interests, passions, or even vices to indulge us and lighten our wallets a little – or a lot. The online community then provides most of the conversation. So while I do not seek approval for adding a ballpoint pen to the stable, I find it interesting to think about how I ended up here, and what better way than to put you kind people through a blog post.

So what the heck happened?

In the latter part of last year my pen buying plans were non-existent, as they often are at any given time. Being lucky enough to own some outstanding fountain pens, contentment remains the first word that comes to mind when I think about them or what to use next. I have no pending “grail pen” as many do (which more often than not seem to be of the fountain variety, and fair enough), many recent acquisitions have been rollerballs (with the exception of a kindly gifted Lamy aion fountain pen), and as I’ve alluded to, my pen thoughts usually run to next use rather than next buy.

Having said that, there remained a gap to be filled. Not in my collection per se – more so a tool for a specific job. So I regret to advise the remaining applicants, for now at least – the role has been filled.

Working in Brisbane’s CBD, I am lucky enough to have two pen stores, the Montblanc boutique, and Dymocks, all within a couple of blocks from the office. Add to that some outstanding specialty coffee establishments, and the hobbies/interests/passions category of my existence is well and truly catered for within the radius of a 5 minute walk.

I happened to find myself perusing the wall of leather goods in the Montblanc boutique (you know…as you do on any given day), and upon turning to leave, those astute Montblanc marketing people had placed the M Ultra Black series display firmly in my eye-line.

Now, in the original (and high gloss) precious resin upon its initial release, the M design definitely appealed to me, however I have a bit of a thing for matte black and/or brushed type finishes. If you then add accents of silver rather than a gold, I’ll find it extremely hard to resist simply walking past your display.

Seed firmly planted, or if I am entirely honest – it had sprouted.

Do I really need a why?

Here, it would be easy to say no (particularly if I refer to some of my comments above), though in reality, spending not insignificant money on something as self-indulgent as an expensive pen (or alternatively say, an espresso machine) requires at least a few ink smudges in the yes column.

When I bought my first fountain pen (the Montblanc Meisterstück Classique I’ve written about before), I’d always planned to buy a ballpoint “in a few years time” to use as an everyday work writer. Well, a few years turned into twenty, and for the money, it was never going to be a priority any sooner than that. I guess nothing in the category had ever really caught my eye either.

Any list of this is why it isn’t a fountain pen I provide here can easily be refuted, however know that I’ve already considered any options and already done just that myself. In any event, I’m not here for the hard sell – you will no doubt have very good reasons for making your own choices, even if they are a 180 degrees from mine. Put simply, a half-dozen signatures on a document sent around a meeting room table; a number or note scrawled on a Post-It; annotating a folded document or taking meeting notes with a book perched on my knee; a brief comment on a 20 page document quickly closed.

The list of course is not exhaustive, and as I mentioned – yes, all of those and more could easily be the domain of a fountain pen. Personally, for the sake of smudge-free, simple and efficient, I’m simply more comfortable in my office environment for it not to be.

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B is for ballpoint… not boring

So did I necessarily set out to hunt down and buy a high-end ballpoint (if that in itself is not a contradiction in terms)? No I didn’t, however with my fondness for the M design (with that Ultra Black finish!), those specific (non-fountain pen) requirements, and a sale to boot – the Montblanc stars (well snow-covered peaks at least) were aligned to make this a compelling purchase.

It’s all Monty Python from here

Now as much as I enjoy wandering around the Montblanc boutique, my next port of call a few days later was to discuss my options with Mal and Melissa at Pen and Paper – my absolute favourite establishment in the CBD. For the warmest embrace into the stationery and pen family, a visit is a must if you are ever in Brisbane.

I’m not going into details here (this post is long enough), but let’s just say my decision tree wasn’t functioning in all its efficiency the day I went to actually buy the pen. Or maybe it was, and simply took every ounce of my willpower to stay on track for what I needed. Without the understanding of the two fine people I’ve mentioned above, I would have left the store, not looked back, and never returned. I’m almost not joking either.

You see, I had a torrid time deciding between the rollerball and the ballpoint. Maybe that’s laughable, I mean it’s not as though we are talking about fine tuning a custom nib grind are we. Anyway, it was an excruciating 20 minutes or so for all three of us I’m sure. Open this, can I see that again, how about the medium, no sorry – I mean the broad, actually can I try the rollerball again? Wow… I don’t know – what do you guys think? (Blank stares). No, no its okay… err, ummm…

And so on, and on… and on.

As someone who likes to think they are at least a little knowledgeable (though I’ve now learned perhaps not always rational) about pens, it was an absolute shambles I tell you. “That’s because you weren’t buying a fountain pen – it was a sign!” I hear you screaming. In many instances, I’d agree with you – but that wasn’t it, and I keep coming back to (as I held myself to on that day also) the right tool for a specific job.

I do thank Mal and Melissa from the bottom of my heart. It wasn’t a transaction that day – it was emotional support. Speaking of support – that’s Pen and Paper in Brisbane’s CBD (or online at the link above) – you know what to do.

Signing off

So what about the pen?

I’ll get to that more specifically in an upcoming post. I’ve kept you long enough this time. For now, I’ll just be content with ticking off quite a few boxes associated with filling that specific need, acquiring something I’d planned many, many years ago, and having something on my desk at the office with a design I very much enjoy taking the occasional moment to pause and stare at.

Just to be clear though – I love it. Yes, for all the reasons I’ve mentioned, however as a hardworking writer both in and outside the office – it is an outstanding pen. Sure, there was an emotional draw and I love the design, and if design didn’t matter we’d all simply be using nondescript nib holders instead of fountain pens.

To sum up this whole surprise, joy, turmoil, and utter contentment experience, I’m very pleased I managed to be objective enough about what I needed, to come away with what is now in use every day at work.

If, after reading all of this, you looked at me and said “Pete… really? It’s a pen mate?!” I wouldn’t disagree with you – yet at the same time that’s precisely the point isn’t it.

 

This November is for Editing

img_0237Depending on who or what you follow online these days, you‘ve likely seen NaNoWriMo (National Novel Writing Month) mentioned as the month of November approached. With things having kicked off on November 1st, the progressive daily word counts are now beginning to appear in my social media feeds. To those participating this year, I wish you every success, and to those “I’m already behind” tweets – where there is a will there remains hope – a thought which worked for me a few years ago.

While not diving into the full NaNo experience myself this year, I’ve decided to take a slightly different approach (though I’m not sure whether to suggest its an easier or more difficult one), and revise the 55k words I committed to pixel and paper in 2014. At the time, I wrote a couple of posts on the tools I used to get there, and a quick search of the term NaNoWriMo on this blog will pull up a few posts outlining how I managed to fall over the 50k word deadline before month’s end.

Reflections

Memories of how November went in 2014 fall somewhere on a continuum between I never want to do that again and I wouldn’t have had it any other way. Where my thinking lies on that continuum varies day-to-day, however one thought always remained – I never quite finished it. Sure, the actual story or first draft is finished – it has just never been revised and edited. You know… finished.

Have I not had the time over the intervening three years to read, revise and improve on that initial effort? Absolutely. Just couldn’t do it. I even started a couple of times only to be thwarted by some innate inability to read my own work, let alone embrace the apparent enormity of the task.

So why now? A very good question, though perhaps not as good as the one which asks: what makes you think you can do it this time?. To be honest I’m not entirely sure I can, however in my own mind am a little more definitive about giving it a go this time. After all – I have a plan!

Three years on, the statute of limitation seems to have expired on those feelings of oh wow… I can’t read this, so away we go I guess. Besides, is it not the least I can do after having put my mother through proof reading and editorial duties the first time around?

The Plan

Diving into a river of bad grammar, poor punctuation, and let’s face it – a somewhat dubious plot line and story structure requires some sort of plan.

I have 55,000 words over 32 chapters, so the common sense approach would seem to be about one chapter per day. With reference to my Tools below, I plan to make a first pass through each chapter making corrections and notations by hand, subsequently transferring those to digital form.

Being relatively confident I will get through the initial markup, my fear is becoming bogged down in rewriting and larger changes. Should this be the case I think I’ll leave any major section rewrites to a later time if things head too far in that direction (says he who sets himself up for failure: hmmm…yes, that’s too time consuming – I’ll just do that bit later…).

The Tools

With reference to those previous posts about the tools used in creating the first draft, I might simply argue if it ain’t broke don’t fix it, however that would be oversimplifying things a little. The fact is I tend to proof and revise things far more efficiently and effectively in a very different format to what they were written in, and am of course far from alone in this way of thinking.

At the very least this takes the form of a text editor’s preview pane or say, Marked 2, in an entirely different theme to the editor pane itself. Better yet, with the physically printed word I am able to hold and manually scratch, scrawl, and mark up or annotate by hand. I don’t believe I am necessarily in the minority with this type of approach either, however perhaps a generation of digital only writers, editors and reviewers are now on the scene, and I would be considered a “throwback”. If not the case already, that time certainly cannot be far away.

In any event, given my reticence to get stuck into this task in the past, I’d suggest I am in need of selecting not only the best tools for the job, but those most likely to maximise my chances of success.

Pen and paper

For all of the notebook and paper reviews I’ve done extolling the virtues of my favourite types, the manuscript is printed out on standard office copy paper. Yes I know – I thank you for your kind thoughts and commiseration, however do believe I’ll cope. Strangely enough, my previously abandoned attempt at this task found the paper – while nothing to write home about – certainly usable.

I cannot recall the pen I was using, however the J. Herbin Orange Indien ink feathered just a little, and demonstrates some show through, however I’m simply taking anything I can see through the page as a sign of progress. I’m here to mark up, and can see it’s mark up I’ve done – a positive approach I’ll run with as far as it takes me.

This time around, I’ve settled on Montblanc William Shakespeare Velvet Red, ably distributed by a Pilot Custom Heritage 91 and its FM nib. The Shakespeare is my most recent ink acquisition, and seems perfect for the task in that it isn’t too bright, yet stands out from the printed black ink. I’ll leave it to your imagination whether I’m perhaps trying to channel some other form of inspiration with this choice as well…

img_0235

The pen? Well it really could have been any of a number of choices, though in the end the FM nib squeezes my corrections and notes in and around those tighter spaces, as well as minimising feathering given its relatively restrained ink flow. The maroon with silver trim simply seemed like a good fit for the ink colour – or perhaps I thought it would set a creative mood?

MultiMarkdown Composer

If I’m to make a permanent record of any of these planned improvements, a digital element to this process is rather important. The choice here was easy, despite the significance of throwing 55 thousand words in a text editor, needing robust iOS syncing (I’m using Dropbox), and trusting my hard work will be safe, saved and ready to go anywhere over the next 30 days.

You may be thinking I’ve said the choice was easy given my loyalty to Ulysses for writing over the past three years, however given the title of this section, clearly that isn’t what I mean. I began using Ulysses through the promo trial for NaNoWriMo back in 2014. Fitting then that I’ll be testing something different this time.

My reference to the choice being easy, simply relates to a recommendation from a very good online friend who has helped immeasurably in much of my Mac related development over the past couple of years. I still maintain the best thing to come out of this blogging caper are the people you become acquainted with as a result. So, when someone whose opinion you highly respect makes an app recommendation, I feel it is well worth trying out.

img_2077
MultiMarkdown Composer’s Table of Contents based on header levels

Armed with the Pro version of MultiMarkdown Composer v4, I am ready to work through and make any necessary adjustments or rewrites. As you can see, I have dropped the text into a Markdown file, and MMC4’s Table of Contents provides me with a nice sidebar view of my chapters. Although arguably possessing a few less bells and whistles than Ulysses, MMC4 provides everything I need for the task at hand. It’s a robust and powerful text editor, and if that isn’t what I need for the task at hand then I’m clearly approaching this all wrong.

img_2076
…he was actually editing his work

I’m also interested so see how the iOS Files app handles Dropbox syncing when I use Byword on my iPad to squeeze in a few updates at lunch time. A few days in I can report so far so good. It would however be remiss of me not to mention encountering more than a couple of Byword crashes when using Copied in split view on my iPad (Air 2 running iOS 11.1) putting this post together.

Signing off

Enough talking, as the time to commence reading, critiquing and rewriting has already passed. I’ve indeed made a start, however am yet to convince myself that my will is strong enough to push on and get this done in a month. I’d like to at least think I can make one complete pass through with pen in hand – even if the rewriting comes a little later.

To all of those creative and motivated souls who’ve dived headlong towards the 50k word target, I wish you well. While its fair to say I have a certain reticence towards fully editing my first draft, I’m certainly glad I managed to create it.

Anyway – it can’t be that bad. My mother wouldn’t lie would she…?

 

Lamy aion Fountain Pen

The title of this post may just as well have been A Surprising and Very Generous Gift, given the pen recently turned up out of the blue in my letter box. These types of things will occasionally happen when good friends stop by the Lamy store in the company’s home town of Heidelberg, Germany, though it certainly doesn’t make me any less grateful a recipient.

Written correspondence between myself and said good friend, is often filled with pen related matters — some of which in recent times has centred around this particular pen when he spotted it at a Lamy exhibition in Frankfurt late last year. It was then titled the JM1 (for reasons now apparent), and slated for release in 2017.

So, on the receiving end of a very kind and generous “this is that pen we were talking about, see what you think” — what follows is, well… what I think.

Look and feel

I’ll be honest with you. Upon arriving home from work and picking up the pen my first thoughts were: wow, its bigger and heavier than I expected; gee I hope I can use this; and I think there will be many who won’t like it. To be entirely honest I wasn’t overly keen on it myself.

In the few days and weeks that followed, much to my absolute surprise, this opinion completely turned around. Ultimately I cannot speak for how it may or may not suit other pen people’s tastes or writing styles, though it quickly aligned with mine.

So right from the outset, I’ll make it clear I’ve many positive things to say about this pen, however didn’t know I’d love it until I used it… a lot. Had you asked me the same question on the first day or two, it would have been a very different story, which perhaps doesn’t bode well for a quick in-store test if someone were considering a purchase.

img_1350
Lamy 2000 (L) and the larger aion (R)

Those initial first impressions were influenced somewhat by the product shots I’d seen, which to me, were of a pen somewhere in the Lamy 2000 size range (comparisons to which are inevitable, and for frame of reference I’ll run with that at times in this post). In reality, its bigger, and a lot heavier. I’d also go so far as to say it feels even bigger and heavier than what it actually is when compared to the 2000.

First thought: this will be too heavy for any long form writing.

Reality after more use: the balance makes it perfect for longer writing sessions and I’ve found it as comfortable as many of my other favourites.

First thought: this design doesn’t seem to be a huge departure from the overall theme you see in some of Lamy’s other pens.

Reality after a little reading: oh… I get it. That’s absolutely spot on then.

A little more on that.

Lamy’s design aims

Sidenote: I am not much of a designer so take the following within that context — though I guess I am a consumer with an opinion.

Probably a relevant question here is whether I should be required to research the manufacturer’s PR release or product sheet about a pen to know whether I like it or not? The answer of course is no, though in doing a little reading I did find I developed a better understanding of what appears to be scope and philosophy of the design behind the Lamy aion.

Whether it is a decent pen or not is another, more straightforward question entirely, which I’ll deal with in other parts of the post. I say straightforward simply because that is largely a matter of personal opinion and preference, and I’m happy to outline my thoughts on that.

Lamy seems to cop its fair share of criticism for releases which may be seen as less than innovative or not different enough for some tastes, and though I could be wrong, think it is inevitable the aion may be seen in the same light.

Again, whether the design and functionality of the pen suit your particular preference is entirely for you to determine, however as for the merits of the design or Lamy’s decisions in general, perhaps a little background and context is helpful.

Disagreeing with the design of something does not make the design wrong, nor prove the company got it wrong, and perhaps most importantly — does not make you wrong. It simply means it’s not suited to your style, taste, or how you may use the particular product from a functional perspective.

In looking at the product sheet from Lamy, a few things stand out:

On the company itself:

Its success story began over 50 years ago with the LAMY 2000: in 1966, the model established the clear and unmistakeable design which still defines the style of all the brand’s products today – the Lamy design.

On working with Jasper Morrison:

Designed by the British industrial designer, Jasper Morrison, this is absolutely in harmony with his conviction that good design is maximally simple – yet, at the same time, maximally functional.

About the aion:

…epitomises the Lamy design

…this is minimalist

An attitude absolutely compatible with the design principles of the LAMY brand…

…uncompromising modernity…

There are many more quotes I could pull from the three pages of information on the pen, and of course any of the above can be debated on their own merit (particularly how maximally functional the pen may or may not be). I do think however, Lamy has — and probably always have — clearly shown their views on what these types of statements represent to them, and largely banked what appears to be a very successful company on them.

If that is the aim, kudos to Lamy. Kudos to Jasper Morrison, who appears to have nailed the brief.

There will invariably be different views on what is modern, minimalist and functional — as there should be. There will be those who prefer pens with perhaps a bit more flair, colour and variety, and not derived from a familiar theme — as there should be.

Notwithstanding the above, I think Lamy has successfully achieved what they set out to create. No pen is for everyone, and individuality both in opinion and purchasing makes this hobby what it is after all.

The Pen

Back to matters at hand.

The aion comes in two colours: black and olivesilver (yes — one word). Though I expect an eyebrow or two to be raised over the naming here — to be honest, does it really matter? I say no — particularly if you’ve checked the names of car colours, house paint or even fountain pen ink offerings lately (none of which I have any issues with either mind you).

As you can see from the images, the model I have is black, which as you would expect is darker than the 2000’s makrolon. The matte and anodised finish, while not as dark as your high gloss resin pens, as you’d expect doesn’t reflect the light like those either. The only contrast to the barrel are the silver nib and spring-loaded Lamy clip.

Lamy 2000 (top) and aion (below)

As far as the shape is concerned, there is no real taper to speak of in the cap, a minor one nearing the top of the pen, and a slightly more pronounced one as the grip approaches the nib. As you can see from the comparison table and image, at its widest point, the Lamy 2000 carries similar girth to the aion, however once the 2000’s taper begins (towards either end), any similarity quickly ends.

Key size specification comparison with Lamy 2000 (numbers courtesy Goulet Pens):

Specifications Lamy aion Lamy 2000
Diameter – body 12.9mm 13mm
Diameter – cap no clip 14.3mm 14mm
Diameter – cap with clip 17.2mm 16mm
Diameter – grip 10.6mm 7.9mm
Length – body 137mm 125mm
Length – cap 64.3mm 65mm
Length – overall closed 143mm 140mm
Length – overall posted 162mm 154mm
Weight – body 21g 15g
Weight – cap 12g 10g
Weight – overall 33g 25g

I’d tend to agree with the sleek, modern, minimalist group of descriptions you’d find on the Lamy product page. Yes, the aion is created in the spirit of the 2000, however the brushed aluminium and matte finished aion is a very different pen in its own right.

A little more on the construction from Lamy:

…the aluminium housing elements are formed by deep-drawing. The surface structuring is computer-controlled by robot-supported grinding. For its unique finish, the components of the LAMY aion are first brushed, stained, polished and, in the case of the grip, blasted and then finally anodised.

For a firsthand look at the manufacturing process, I refer you to the aion product page which contains a video demonstrating these steps in the pen’s construction. Precision and quality control are words which come to mind when viewing.

There is slight change in both the appearance and texture between the grip and the rest of the barrel. To me, the anodised grip feels a little smoother than the matte-finished barrel, though I have not found any issues with grip or control when writing.

At the junction of the two (which unscrews to allow access to the cartridge or converter), the small seam can be felt by a finger running back and forth across it, however is imperceptible during use. Given the change in texture, having a seam probably makes no material difference, so to sound somewhat ridiculous, the seam is probably as seamless as you could find, with the exception of those on the 2000 which are effectively invisible when closed.

img_1348The cap can be posted (as Lamy’s product images show), however to do so feels impossibly heavy to write with, and thankfully more than enough length exists in the pen to use it without posting the cap. While we’re on the cap, the snap closure is a very solid one, requiring some force to disengage, almost preventing a thumb and forefinger one-handed snap-off which I tend to do on occasion.

A couple of other points to note here. When snapped on, the cap itself spins freely, and if I shake the pen there is a small rattle between the cap and the body. As I’ve mentioned, there is certainly no danger of it coming loose, however there is some play there. Whether this is the case as standard or simply on this particular pen I’m not 100% sure, however seem to recall something similar mentioned on Reddit. Occasionally when recapping the pen, I need to slightly readjust my direction before the cap snaps home.

Though I point these things out, I have no great issues with them in day-to-day use, where pen performance and writing comfort are more important to me anyway.

The nib

The aion series of fountain pens are fitted with a steel mono colour nib in silver, which although very similar, is a departure from the usual form, as you can see from the comparison image below.

Lamy Safari with 14k nib on (L); aion (centre); Lamy Pur with steel nib (R)

Lamy describes the nib unit:

For the first time, a Lamy fountain pen has been equipped with a series-exclusive, newly-formed nib. Jasper Morrison gave it an unconventionally-proportioned outline, thus giving the writing instrument an avant-garde character

Although I perhaps wouldn’t go that far in my description (don’t think I’ve ever referred to anything as avant-garde), it is certainly something new for Lamy, and I actually quite like the nib shape (more on writing performance later in the post). While I don’t necessary think one of the original Lamy nibs would look out of place on the aion, to my eye the broader “shoulders” of the tines certainly suit the fuller overall profile of the pen.

The remainder of the nib as it fits into the housing appears to be identical to the Lamy nib units we are all familiar with, and from what I have read (again via Reddit), a Lamy rep somewhere has confirmed it can be swapped with other Lamy nibs in the usual way.

In any event, when talking nib shape, a picture certainly will provide you with far more than my words, so I’ll end this here. In doing so though, again even if not something extraordinarily new — kudos to Lamy for providing something different, which I’d say successfully ties in with the overall design of the pen.

Specifications

Full specification list courtesy Goulet Pens

Pen Lamy aion fountain pen
Body Colour Black
Body Material Aluminium
Trim Silver
Cap type Snap on
Refills Bottled ink; proprietary cartridge
Filling Mechanism Cartridge; Converter
Grip Material Aluminium
Nib Colour Silver
Nib Material Steel
Nib Size Medium
Diameter – body 12.9mm
Diameter – cap no clip 14.3mm
Diameter – cap with clip 17.2mm
Diameter – grip 10.6mm
Length – body 137mm
Length – cap 64.3mm
Length – nib 16.5mm
Length – overall closed 143mm
Length – overall posted 162mm
Weight – body 21g
Weight – cap 12g
Weight – overall 33g

Though the key points in relation to the specifications remain the size and overall weight, in isolation these are only chapters of the story. A story which is only complete when balance and function put them together. That said, this certainly isn’t a pen you’d carry in a shirt pocket all day.

If you click-through to the Goblet Pens page, you will see the aion carries a list price of US$71.20 with a MRSP of US$89.00.

Although a conversion to Australian dollars at the time of writing is just over the AU$100 mark, I would be loathe to make any strong prediction as to the actual cost here (which would also be a little unfair to local retailers), given various other factors which may be involved in setting local prices.

At the time of writing, my favourite local retailer in Brisbane’s CBD had not any word through on price or release date.

Writing performance

Or in other words, the money ball. Design scope and brief, construction, finish and marketing aside. Its a pen. It needs to write, and write well or we’ve really got nothing much have we.

Life Symphony notebook

The aion certainly does that — and does it in spades. This is a fantastic nib. A stock standard steel nib (albeit in a newer shape), and it writes like a dream if given the best opportunity. I have a blue Lamy cartridge providing the ink, and as far as I can recall, there have been no false starts, skips, or holidays in any strokes over that time. It produces a wet, full, vibrant line and continues to do so for as long as you need it to.

The overall feel of the nib is firm, and takes some pressure to increase the line widths, however I do not find that aspect much different to the other Lamy steel nibs I use from time to time. I’d also mention here, that the only time I’ve found the sweet spot more difficult to find is when I’ve used a slightly heavier hand with the pen.

The real joy in using the aion comes from a fairly high, light grip, and having the weight and balance work for you. Don’t choke down and micromanage those letters and I think you’ll likely find the same. It needs a loose rather than tight rein, and is the “opportunity” I mentioned above. In a pen body sans threads, bands or steps, you really have the option of any grip point you like, and its worth adjusting things a little to see what placement suits the balance of the pen.

Of course we all have our own styles of writing, and if the above doesn’t sound like something amenable to yours, I wouldn’t say this pen is not for you, however I’d give it a thorough test prior to purchasing if that is at all possible. I acknowledge though, in many cases it often is not.

In use

I received this pen in the mail on the 1st of August, and as I finalise this post, it has had what is now approaching four weeks of solid use. I mention this simply because that is generally a far shorter time period than for other pens I write about here.

Having been lucky enough to have had the opportunity to use the pen prior to its wider release, I’m hoping this post may be of some assistance to readers who may consider purchasing the pen once it does hit the shelves.

As I’ve mentioned in other posts, most of my pens are either shorter idea-jotters/notetakers, or longer form writers, as I find some pens just aren’t comfortable over longer periods of use. On the day of receipt and for a couple after, I must admit the aion was almost chained immediately to the notetaker pole. There was no way this hefty thing would leave my hand ache-free over a multiple page letter or blog post draft.

Once those initial few days had passed however, it was moved firmly into the long form writer camp, and after a couple of weeks, resides with those pens I’d likely use more often than some of the others. A pen like this one will always default to a notetaker until proven otherwise, which, in continuing to surprise me to this day, is exactly what happened.

I’ve found the overall balance (unposted) to essentially negate the weight of the pen, making it effortless to use over multiple pages. Not only that, it encourages me to use a lighter grip and more fluid writing motion — something which I often struggle a little to maintain. Of course your personal writing style is likely to be vastly different to mine, so consider this simply one viewpoint on the matter.

Is it that good? Well in my view, for the price point it certainly is a great pen with a great nib. Will it be great for you? That I cannot be certain of, and the thing I wish to emphasise here is the key to all of this I guess: for me, the aion is that good because it’s simply that suitable for how I use it to write.

Remember, you are reading the blog of someone who isn’t as fond of the Lamy Safari as many readers probably are. Great pens no doubt — just not a great fit for me. Each to their own, and I think in the coming months we will find strong opinions both ways as the Lamy aion gets into more hands.

Signing off

Whether I’m reading or writing them, I’ve always approached pen posts as tales of subjectivity, with really only a table of specs to the contrary.

After all, the look and feel? My opinion. The weight, balance and what the pen is good for? My opinion — on how it suits me and what I tend to use it for. An underperforming nib is perhaps an exception, but its general characteristics? Just as much what I personally prefer as anything.

And so it continues here. As you can tell from probably too many words above, I like this pen — a lot. Initially? I didn’t like it very much at all. As surprised as I was (and still am), the aion has certainly made an impression by completely flipping my initial views on their head, and I cannot help but think that means something.

Perhaps that is the epitome of great design. Perhaps it is something less profound (ideal weight, a great nib and solid performance). Whatever it is, I’ll take more of it, and although many will say: “this pen is not for me” — I won’t be one of them, and what a positive outcome that is.

My thoughts about Lamy’s design intentions are certainly just that — my thoughts, however regardless of how you view this pen, I’d argue Lamy have achieved what they set out to create. In the end, whether that achievement is enough to add the aion to your collection, only you can answer. In any event, it won’t be long before the question is asked.

Happy writing.