Generosity

Time, money, objects, advice — to name but a few. Generosity can be demonstrated in many forms.

You might usually find greater expression of it amongst friends and family. Between complete strangers? Perhaps less often, yet a little more likely where there are common interests.

What follows below continues to amaze me as I write and read through it, yet also reinforces to me there are some wonderful people out there, and I have been indeed lucky enough to recently become acquainted with one.

Initial contact

Readership of this blog has built slowly and steadily over the two years I’ve been writing here. I do receive feedback occasionally on what I write — not a lot — but enough. Some offer encouragement, others push me to think a little differently about what I have written, though it is always well-intentioned and respectful. I consider myself very lucky in this regard.

Earlier this year I received some kind words from a reader on a couple of my pen related posts. I of course responded with thanks as is usually the case. Thankfully, he also reached out via email, through the contact page of this blog.

What the email contained is something I’ll never forget.

A most generous offer

Earlier in the year I had concluded I would be satisfied with my current pen collection in the short-term — and convinced myself I wouldn’t be making any significant purchases (perhaps only a bottle of ink here or there) until the second half of the year.

Not long after, I received the email which contained an offer I must admit left me somewhat stunned upon my initial reading.

I know what you are thinking — the email contained an unbeatable deal and I broke my current and future planned budget restrictions all at once.

No. It was much more than that. Way more.

The writer of the email mentioned owning a number of pens, and considering himself a user rather than a collector — was looking to pass on some of the pens he no longer regularly used to someone who might use and appreciate them.

Somewhat more significantly for myself, he went on to say he enjoyed reading this blog and would like to do something to support that. Very kind words and encouragement which in themselves already more than made my day. Being offered these pens was… well — you can imagine how that felt.

I continued reading.

The list of pens here was nothing short of amazing — particularly to someone like myself looking to expand a fairly limited collection. An endeavour that was to date progressing — though fairly slowly. Remember we are talking about doubling my fountain pen collection overnight — with each of these pens worth more than any (bar one) I already owned.

Needless to say I was somewhat flabbergasted.

A few emails back and forth later — and I had provided an address for the pens to be sent.

Arrival

A little excited at this point.

A little excited at this point.

Needless to say, an exciting few days wait ensued before an express post package arrived at my desk in the office. Being the somewhat private person I am, waiting until people were off in meetings and such for a quiet time to open it was one of the hardest things I have done in recent times.

Again. Totally amazed.

Although through the previous email exchanges I had known what was coming — actually having them in my hand was unbelievable.

At no cost to me, I had just received: a Pelikan M400 (green; EF nib); Pelikan M215 (black and rhodium; M nib); Pelikan M205 (red; F nib); Lamy 2000 (F nib); Tombow Object (red; F nib); Platinum Multi-pen; and a selection of ink cartridges.

IMG_3170

In all their glory.

 

I think anyone familiar with pens will see the value in those above, and anyone who isn’t — well let us just say we are looking at a significant amount of money if I were to buy them.

What can I say?

Having received the pens in the middle of March, I have only now been able to sit and write some thoughts on this act of kindness, with the extent of my good fortune having finally sunk in.

To me, it goes way beyond the monetary value which can be calculated from the list above. The kind gentleman who made contact can certainly be assured the pens have been warmly welcomed into my collection, and no amount of thanks could ever be sufficient, though I will indeed give it my best shot.

He has made no money, has no blog, Twitter or Instagram account to link back to — and even if there were – I get the impression a link would be politely declined. Also, my query as to whether he wished to be mentioned by name, and to read this post before it went up — politely declined. To me, it is a very real reminder of the kind and generous people in the world (and within the pen community) that we may never see nor hear from. Or at least if we do, not often.

These are the people I write for.

As this piece of writing nears conclusion, something else has struck me you know. I mentioned time and advice in opening of this post. Two very valuable things I have also received far more of from this kind gentlemen than I’d ever hope to receive, and to that end, I look forward to each and every email.

As far as this generous gift I have received?

I can only hope that someday — if I am in a similar position – I would do the same, but it mightn’t be with any of these particular pens. No, these I’ll likely be keeping as reminder of the immeasurable kindness and generosity that still exists in the world.


A reviewer — or not?

I have posed the title of this post purely with reference to my own writing about pens — a genuine question as to whether I should be considered a “reviewer”. My immediate answer is no, however I realise that is perhaps incorrect.

The Oxford Dictionary definition (insert “pens” if you will):

a person who writes critical appraisals of books, plays, films, etc. for publication

For publication – I guess writing on a blog satisfies that. Where I originally thought I differed slightly is that I do not set out to “critically appraise” pens — rather, I write about the pens I own and what I like or perhaps dislike about them. The reality is though, that is probably a reasonable definition of what it is to “critically appraise”.

First though — a little background. The stimulus for posing this question (mainly to myself — albeit now aloud through this site), was a post on Fountain Pen Economics (FPE) calling on reviewers to review bad pens. Although I have had some thoughts on this numerous times before — mainly when deciding how I want to write or what my “style” should be when writing about pens — now seems a good time to put them down.

A couple of prominent pen bloggers or reviewers were mentioned in the FPE post, which coincidentally came at a time when there has been a little — shall we say — “unrest” in the pen community regarding negative YouTube/blog commenting or online “trolling” – which is absolutely appalling and should be (and thankfully often is) widely condemned.

That said, I wonder if there is ever really a time where behaviour of such a nature is not occurring to some degree. I do applaud those who push on in the face of it, and add my encouragement for them to continue doing so.

Objectively based opinion and discussion — even of the “robust” variety — I believe, is valuable for the growth and maturity of any industry, community or even small working team. Of course not everyone has to agree, but if we are all working from roughly the same set of rules and respect each other, then theoretically there will be no problems — right. Right?

I simply want to say here that I do not think there is anyone in the pen community who would disagree with the sentiment that reviewers should be honest and transparent, and as a whole, I am comfortable with the current landscape relating to this. To be fair in relation to the FPE post, it is also made clear the author believes this to be the case. Speaking in broad terms, regarding the possibility of false positive reviews for “product”, FPE notes:

Now, I’m not saying that any reviewer in the community does this at the moment, simply that the potential exists.

A reviewer?

Here is where I believe things are a little less clear. Not simply in reviewers neutrality, but in what constitutes a “reviewer” in the first place. Back to what I mentioned above — all working from the same set of rules.

Here I am very much referring to myself, however perhaps there are others who see themselves in the same light. The very site you are reading was not set up to “review” pens — nor anything else for that matter. My About page indicates I started this blog for two reasons:

to share some experiences and ideas, and to continue further down the road of personal development and knowledge acquisition

Although the page probably requires some updating, I believe the above remains accurate today. I must admit though, at times I still don’t know exactly what this blog is for to be honest, but I do enjoy writing here. Therein lies the point. I enjoy writing here, and I enjoy the things I write about — one of which is the subject of pens.

So in relation to pens, does that make me a reviewer?

I say no — but is that simply because I say I’m not? Conversely, what if I do describe myself as a pen reviewer? Back to the Oxford Definition above — do I not critically appraise my own pens in some way?

Further, is there really any meaningful distinction?

To officially be classed as a reviewer, would I need to receive products for free — specifically for the purposes of a review. Would I get to keep them, return them, hold giveaways or on-sell them? Must they be from a manufacturer or a retailer — does it matter? Is my site reliant on page views and ads, and/or affiliate links or sponsors to generate some form of income? Do these relate to the suppliers or products I am also reviewing?

If it is reliant on one or all of these factors, when do I become a fully accredited reviewer — when my monetary return from the blog reaches a certain level? If so, what is that level?

Further, at what point do I then seek out pens to review which I know I am not likely to enjoy writing with, to ensure a balance of good and bad pen reviews appear on my site? That is, at what point do my responsibilities to readers outweigh the responsibility to myself to buy the things I enjoy — and perhaps write about them along the way. Do I have an obligation to review every pen I buy?

Or – more simply, as is often the case — am I one of the large number of people on the internet who buy pens with money from their own pocket, and write about their experiences, joys and excitement associated with their hobby? Simply someone who bought their first fountain pen 18 years ago — then not another for 15 years — only to again become hooked in the past three? Who, due to this renewed interest, stumbled onto a massive online community who write and share information about these things, and felt the urge to do the same.

I’d say this is exactly what I am — however does it really stop there?

What are my responsibilities?

Do I even have a responsibility that is defined by a certain set of parameters when I write about pens? I believe I probably do.

What exactly are those responsibilities?
I probably need to understand that anyone reading what I write might be influenced in some way by my opinion. In re-reading that statement it is hard not to laugh — from the point of view of: who do I think I am that my opinion counts enough to sway someone’s purchasing choices. Therein lies the very point doesn’t it. How is any first time reader of this site to know if I have absolutely any idea what I am talking about?1 Even if I do, how are they to know whether I know enough to warrant them taking heed of any of it.

Should my about page have a pen bio:

  • Year of first fountain pen;
  • Number of pens owned;
  • Number of forums active in;
  • Pen blogs regularly read;
  • Syringe experience;
  • Nib preference;
  • Number of custom nib grinds;
  • Pen shows attended etc

Of course not (well — at least I don’t think so), but you get what I mean. So, at first glance, or perhaps coming in at a random post on my site, none of the above will necessarily be obvious to a first time reader. Nor will it — in actual fact — to long time readers necessarily.

Therefore, I need to make sure each post or opinion is well written enough (hopefully) to get my point across clearly and concisely, with good, objective reasoning — again a difficult proposition in what I find to be such a subjective topic area2. I’m a firm believer in the theory that if you give someone enough information, they can at least make their own mind up from what you have provided.

Facts and opinion — with one the basis for the other, regardless of the pen or where it came from. Beholden to no-one other than myself to write honestly about what sits in front of me.

So what on earth am I trying to say here?

When I sat down to write this post I had several key points in my mind that have somehow blurred, bleeding out like De Atramentis Permanent Blue on the cheapest recycled office notepad.

A few things to finish if I might ask for a fraction more of your time.

I wholeheartedly agree that transparency and honest reviews are a vital part of the pen community. Where I find things a little more difficult, is in suggesting fellow bloggers (particularly those who buy the products they write about) get their hands on some bad pens to review. I say this, mainly because with so many items on my wish list, I’m not about to waste a cent on something I am probably going to dislike. Again, in fairness the FPE post, I think the perspective there was perhaps related more so (I think) to items specifically received “to review” from sellers.

After all, in doing so, I would then be left with something I rated poorly, didn’t like, and would either have to accept the monetary loss or try to sell it. But to whom? “Here, this is a really bad pen — please buy it from me, and then when you hate it — see if you can then flog it to someone else”.

Let’s not even start on how you might review a pen you may not like that was given by a family member as a gift for example. To avoid offending the giver, there is every likelihood the review would either overlook some of the negatives, or perhaps not be done at all. In this particular case we are back where we started aren’t we.

In conclusion

That’s it – I’m done.

I fear that in highlighting some of the difficulties in actually coming to a definitive conclusion about all of this, I may have simply come across as being argumentative or a bit of a contrarian. This is not my intention.

To those who love writing about their pens — be they bloggers or reviewers or both — please continue. We love reading about this great hobby of ours. While you’re at it, make sure you remain transparent and objective — but you already do that, so here I’d also simply say — please continue.

 

  1. Of course there are the usual criteria of blog longevity, update frequency, number of ads and overall style to go by – but again – how does that make me any more knowledgable about pens?
  2. I highlight the subjectivity of pens thinking of one of my favourites, which I never would have bought if I had read a couple of reviews prior to clicking “checkout”.

 

A Guest Post for On Fountain Pens

One of my favourite pen blogs, On Fountain Pens is currently running a 12 Days of Christmas series of guest posts. The topic? You guessed it, fountain pens.

Maybelline describes the endeavour here:

Before the first day of Christmas, my fountain pen came to me: 12 bloggers on OFP.

…one fountain pen blogger a day, guest posting here on topics related to fountain pens and writing.

Although my pen experience pales a little compared to the other contributors, I was lucky enough, and feel quite honoured to have been able to contribute. My post is now up on OFP as Day 5 in the series of twelve, and with a title perhaps a little unusual for a lover of fountain pens, the full post will make things a little clearer.

Head over to On Fountain Pens to read the post, and while you’re there, check out the rest of the series, and everything else on this fantastic fountain pen blog:

Day 5: I’m glad you didn’t buy me a fountain pen for Christmas

NaNoWriMo – My Analogue Tools

The tools.

The tools.

With so many words to be written this month as part of my first foray into NaNoWriMo, I feared this blog would be a little forgotten over the coming weeks – and no, I had not planned ahead well enough to have written and scheduled posts in advance.

In a rare moment of wisdom, I came to realise my best chance of putting something up on the blog would be to combine the two. That is, participate in NaNoWriMo, and occasionally blog about participating in NaNoWriMo.

I plan to write a few more NaNoWriMo flavoured posts throughout the month, which is of course assuming the weight of expectation that comes with a 50,000 word target doesn’t crush me first.

So, with a tip of the hat to yesterday’s Fountain Pen Day, today I thought I would share some of the analogue tools I have been using to help plan out, and hopefully get written, the 50,000 words that constitute the NaNoWriMo challenge.

Notebooks

Various notebooks, pads, scraps of paper and even the odd dreaded yellow Post-It Note have all played their part here.

Although I have the overall plot and story outlined, my fear of running out of specific ideas to keep filling scenes, has resulted in a litany of places with either paragraphs, a line, or even a single word jotted down to avoid forgetting that great idea. Though I must admit, the more common scenario seems to be noting down why events written two chapters ago no longer make sense given the turn the story has taken.

This whole novel-writing thing is certainly not easy!

The paper I’ve been using:

Clairefontaine Essentials Notebook and Pelikan Edelstein Tanzanite ink written with Pelican M205 EF Fountain Pen

Clairefontaine Essentials Notebook and Pelikan Edelstein Tanzanite ink written with Pelican M205 EF Fountain Pen

Clairefontaine Essentials Notebook with Pelikan Edelstein Tanzanite Ink

Delfonics Rollbahn Notebook; Montblanc Daniel Defoe Palm Geen ink (Pelikan M205 EF Fountain Pen)

Pens

(L to R) Pelikan M205; Palomino Blackwing 602; Retro 51 Stealth; Lamy Safari; Montblanc Meisterstuck Classique

(L to R) Pelikan M205; Palomino Blackwing 602; Retro 51 Stealth; Lamy Safari; Montblanc Meisterstuck Classique

Again, this is either dictated by what is closest at hand for immediate idea capture, or what will be most enjoyable to write with for more extensive outlining. The following pens (and pencil) have to date suited either of these scenarios:

Inks

I have found using inks of varying colours quite helpful when going back through my notes to either check off ideas or plot lines I have implemented into the story, or in highlighting areas that may require more thought or detail. The Montblanc Meisterstuck inked with Burgundy Red has been particularly useful given it’s contrast to the Safari’s blue ink, clearly showing notes made as additions to the originals.

Markup in Field Notes Arts Edition; Lamy Blue ink (Lamy Safari M Fountain Pen); Montblanc Burgundy Red (Montblanc Meisterstuck Classique M Fountain Pen)

Markup in Field Notes Arts Edition; Lamy Blue ink (Lamy Safari M Fountain Pen); Montblanc Burgundy Red (Montblanc Meisterstuck Classique M Fountain Pen)

Rhoda Ice No 16 Lined Notepad; Lamy Blue ink (Lamy Safari M Fountain Pen)

Rhoda Ice No 16 Lined Notepad; Lamy Blue ink (Lamy Safari M Fountain Pen)

Summary

The most used of the items outlined above is probably a combination of the Field Notes Arts Edition notebook, the Lamy Safari for note taking, and the Montblanc Meisterstuck for marking up the Safari’s notes.

The Field Notes became the notebook of choice early on as I my initial intention was to keep all of my ‘NaNo’ notes in the one book, and the majority have ended up in here. I found the larger ‘Arts’ edition the ideal size for more extensive notes, yet small and light enough to carry with me.

Delfonics Rollbahn Grid Notebook

Delfonics Rollbahn Grid Notebook

The Delfonics Rollbahn notebook contains great paper stock for fountain pen use, however the yellow colour is not the best shade to highlight any particularly vibrant inks you may be using. Certainly not a problem for the darker blues and blacks if that is your preference.

The Safari was not necessarily my first choice pen, however is only a fairly recent purchase, and the paper based planning of this project seemed a great chance to test it out. No real complaints here, except it has been a little ’skippy’ occasionally, however I put this down to not having given it a thorough clean before inking it up after purchase.

I am really enjoying the Daniel Defoe Palm Green ink, which is now residing in the Pelikan M205 (EF). Again only a recent purchase, however what a great colour! I am sure it will see quite a bit of use throughout the remainder of November and beyond.

My main (and only minor) grievance has been the extent to which the Safari Blue Ink has faded. Although most likely due to both the ink and Field Notes paper (the same amount of fade was not evident on the Rhodia stock), I would have preferred it to maintain the vibrance it had when first laid down.

NaNoWriMo itself?

With my word count currently just over the 10k mark, I am finding this an extremely interesting challenge. I was falling on the side of “maybe I’ll just do it next year”, right up until a few days before November 1, however would perhaps have continued to say the same thing every year had I not bitten the bullet and entered.

So very glad I did.

Gotta go. There’s an important word count that needs increasing!!

 

My Pelikan M205 Fountain Pen

The opportunity to pick up this Pelikan Tradition M205 was a little too hard to pass up back in May of this year, with Pen Chalet offering the model at half price during a period of The Pen Addict podcast sponsorship.

I was looking to add to my collection of quality fountain pens, and snapped up a black model with chrome trim and an EF nib. Ordering and shipping from Pen Chalet in the US over to Australia was quite fast, and in rapid time I was inking up the newest member of my pen family.

Look and Feel

There is no doubt the M205 is a great looking pen, with the black and chrome combination providing a classic, elegant look. It makes a great business pen – perhaps a little small in stature to be signing million dollar cheques, however I don’t sign many (who are we kidding – any) of those. It is also manufactured in Taupe, White and Red.

Image courtesy Pen Chalet

Image courtesy Pen Chalet

When capped, I find a certain appeal to the overall symmetry of the pen, and although not a large pen, the body diameter through the pen barrel is perfect relative to its length. The cap itself sits proud of the body when screwed on, further accentuating the central chrome band bearing the Pelikan and Germany insignia. An additional chrome band at the clip attachment, and another towards the end of the pen at the piston filler control, provide evenly spaced breaks to the shiny black finish of the barrel and cap.

M205_FinialM205_Nib_Cap_CrossM205_ink_bottle_pen_better

The finial sports the elegant Pelikan (pelican) bird and baby logo, with the clip shape recreating a long curved Pelikan (pelican) bill. The clip itself functions well, with suitable spring, yet is smooth enough to avoid snagging on either my shirt pocket, placket, or the Nock Co. Lookout in which it usually resides.

M205_LookoutWhen uncapped, with the exception of the fine chrome ring at the top end of the pen, and the dark tinted ink window adjacent to the grip section thread, the body of the pen is solid black, right through to the stainless steel nib. The nib itself is plain, polished stainless steel, with the logo, Pelikan name and EF inscription. Perhaps another chrome ring near the section may have been a nice addition, however would run the risk of creating a less seamless grip, and for the sake of appearance only is probably best left alone.

Constructed of a plastic resin, the pen is quite light (14.8g fully inked), particularly when used un-posted (9.9g), which I tend to prefer for extended writing sessions. Larger hands may find the barrel a little short for use without posting. A three-quarter turn will remove the threaded cap, which posts securely for writing and in no way affects the overall balance of the pen.

Performance

Great purchase deals aside, this is a $200.00 pen at standard retail pricing, and the expectation is that the writing experience will be commensurate with the price tag – that is, exceptional.

Others experiences

This is where things get a little interesting. Generally, when deciding on a pen purchase which will set me back a decent sum, I tend to consult the opinions of a number of pen bloggers who have tested and reviewed the pen in question. In this instance, that was not the case, as the podcast recommendation and great deal were encouragement enough to click the purchase button.

Subsequent to my purchase, I then read the opinions of those I hold in high regard who found the M205 not to their liking, and had I read these reviews prior to ordering, may never have picked up the M205 at all.

Boy am I glad that didn’t happen. I love this pen.

The reviews:

Pelikan M205 (the Illustrious) Fountain Pen – F Nib (The Clicky Post)
Pelikan M205 (the Illustrious) Fountain Pen – Update (The Clicky Post)
Review: Pelikan M205 Fountain Pen (The Well Appointed Desk)

I’d encourage you to read through the articles above for a full appreciation of the issues raised, however if I could summarise, others have found the nib “sweet spot” to be quite small, requiring a good deal of concentration to keep the pen within it, if the writer is even able to do that at all. This obviously places a question mark over whether the pen is suited to all writing styles.

Conversely, other reviewers have found the pen a delight to use, living up to every expectation, straight out of the box. Luckily I found myself in this camp.

Pelikan M205 Review (The Pen Addict)
I heart you: Pelikan M205 and Levenger Shiraz Ink (From the Pen Cup)
Pelikan Tradition M205 Fountain Review (Pen Paper Ink Letter)

On balance, it is therefore difficult for me not to recommend this pen, particularly at the discounted sale price, which is again available from Pen Chalet at the time of writing.

My experience

Sweet spot troubles? Myself, not so, and I would put forward a couple of theories on why that is. Firstly, although it is 17 years since I began using a fountain pen, my experience has not been widespread across different brands and nibs. Further, I have recently begun using pens with nibs a little finer than what I was previously used to, and in part appreciate the increased feedback of the finer nibs on the page. Here I am also acutely aware of the fine line between “feedback” and “scratchy”, believing I can appreciate the difference, however my experience on this may differ to a more experienced hand.

M205_BoxWhen testing further to get my thoughts together on this, I wrote with a more expensive pen (Montblanc Meisterstück Classique 14K gold M nib) and a couple of cheaper ones (Pilot Kakuno steel F nib and Pilot Metropolitan steel F nib) on a rotational basis line by line down a page for quite some time. There was a clear difference in feedback from the Pelikan and Pilot nibs when compared with the Montblanc, likely due in part to  the change in nib size, though of course material and manufacture no doubt play a part.

I could go on and about the ins and outs of these comparisons, however at the end of the day, my point is – for me, this is a great pen, and one I enjoy using very much. This is a fact I am certainly thankful for, as again, great “50% off” deals aside, $100 of my money still went on this pen. Whether or not $100 is too much for a stainless steel nib is for you to decide, however perhaps just shy of $200 is.

Writing

In my experience, the M205 writes extremely well, and I have not had any false starts, skips or unintended line variation in the three months I have used the pen, irrespective of the ink used.

As expected, the stainless steel European EF nib was still broader than the Japanese Pilot F nibs in a direct comparison. The writing sample below shows the Pelikan EF compared with a Pilot Kakuno F (Metropolitan F results equivalent) and Montblanc M, along with line variation achievable with varying levels of pressure, as the nib does demonstrate a small amount of flex.

Line width comparison

Line width comparison

 

I would also point out here that when inked with something like De Atramentis Permanent Blue, which I have found to be a fairly wet ink, the line is considerably wider than seen with the Pelikan Edelstein Tanzanite used in the image below.

Writing sample

Writing sample

Conclusion

The Pelikan M205 is a pen I am very glad to have in my collection, and is one I could happily write with all day. Its looks are commensurate with the writing performance, and it is a pen I use at times in the office, given it’s classic, elegant style.

As I have indicated above, I found no issues with the nib, however others have, so perhaps that is a caveat to consider before purchasing. Whether there is perhaps a question mark on the overall value of the pen if assessed at full price, given the plastic body and stainless steel nib is a personal choice (despite the gold nib, my Montblanc is also a plastic resin).

Personally, I would have no hesitation in recommending the Pelikan M205 to someone looking for a quality pen, and if you can pick one up on a fantastic deal like I did – go for it.