Delfonics Rollbahn Spiral Bound Notebook

IMG_3485

In my ongoing quest for a quality spiral bound notebook, I decided to pick up a Delfonics Rollbahn recently, during a free postage promotion on Notemaker, one of Australia’s best online stationery stores.

Since then, I have also seen new stock arrive at the Dymocks Brisbane CBD bookstore, and the Rollbahn metallic covers (silver, gold) look absolutely fantastic. How do they perform? The most apt description here is also fantastic, and I have put together a few thoughts on this below.

The Notebook

The particular model purchased was the large (14 x 18 cm or 5.5 x 7 inches), which is a little more square in form than say, an equivalently sized Moleskine, which measures 13 x 21 cm (5 x 8 inches). I must admit, I do like the square format of the pages, as my writing is often not on the small side when jotting down a few quick notes, a list, or even something a little longer.

Specifications (from Notemaker):

  • PAGES: 180 (90 sheets)
  • RULING: 5mm x 5mm Graph / Brown-Grey coloured ruling
  • PAPER WEIGHT: 70gsm
  • PAPER COLOUR: Off White/Ivory
  • DIMENSIONS: 14cm x 18cm
  • SOURCE: Made in Japan

Look and feel

Looking more closely at the design, the binding is double spiral for added strength, with the cover made of extremely stiff, robust semi-gloss card stock (also described in the product specifications as splash-proof, however I did not specifically test this).

IMG_3466IMG_3468

 

At the rear of the notebook are five, top-opening, clear plastic sleeves between two thick yellow dividers matching the front cover. As with the front, thick card stock forms the back cover — this time in kraft, complete with a small letter-pressed Delfonics branding. An elastic closure strap in navy blue (matching the contrasting logo on the front cover) completes the picture.

IMG_3470IMG_3465

 

The overall look of these notebooks is quite striking, and I am quite drawn to the styling, quality and attention to detail applied to both the design and manufacture — not surprising given two factors: it is stationery, and it is made in Japan.

As I mentioned earlier, the silver and gold metallic covers are even more impressive, and nothing can beat seeing them first hand in a store. In fact, I have no doubt my accompanying photos would have been of the silver model had I seen them in-store prior to my online order.

As far as I am aware, the Rollbahn series come in 5 x 5 mm graph paper only, however the rulings are so faint I did not find it dramatically different to a dot grid type of paper, nor should those who find graph ruling a little “busy” for their tastes. At the very least it is worth a look, even if graph ruling is not your thing.

All sizes in the Rollbahn series contain 180 pages (90 sheets), with every page perforated for easy removal, however a little care is required when initiating the tear. I would note here I am always loathe to criticise a notebook for this, as my technique can be a little, how shall we say — “cumbersome”, at times.

Writing

Of course the best design components of a notebook pale significantly if the paper is not up to expectations.

A note here about the paper first up. It is yellow. Pale yellow, however yellow nonetheless. The specifications on Notemaker describe the paper as “off white/ivory” with “brown/grey” coloured ruling for the 5 x 5 mm graph paper design. Is the paper colour a deal breaker? I’d say no, however if you are someone who uses a lot of subtle colours or shades of inks, it just might be.

Not a great photo, however top to bottom: Clairefontaine, Rhodia, Moleskine, Rollbahn

Not a great photo, however top to bottom: Clairefontaine, Rhodia, Moleskine, Rollbahn

Just to confirm — it’s definitely yellow. There is no way I can be convinced this is merely off white or ivory, and if the performance of this paper were not as good as what it is, I may not have enjoyed using it as much as I did. I simply prefer paper towards the whiter end of the spectrum — particularly for those types of inks.

IMG_3474IMG_3514

That said, upon putting down some samples on a page, (see accompanying image above) most of my comments above might appear unwarranted or a little harsh — comments which I almost removed (the sample page being written after drafting the post). More vibrant, colours such as Montblanc Irish Green and J.Herbin Orange Indien were fairly true to their white paper appearance (the orange perhaps losing a fraction of nuance), however I have also added a shot below of some Montblanc Daniel Defoe Palm Green, where most of the green tones can only be seen in a smudge. Conversely, I have found a nice, consistent shade of earthy green when the same ink is used on whiter paper.

IMG_3475

See for yourself in the accompanying images, and the only reason I highlight this aspect in particular, is that for me, were this paper white, I would be telling you it would be pretty much perfect. It is that good.

The usual characteristics such as bleed through, show through or feathering are handled perfectly by the 70gsm paper — that is, pretty well none of these are demonstrated in the writing I have put down so far. This is great paper for note taking — fountain pens included, with dry time certainly on the quicker end of the scale compared with other brands of paper.

I find it a little less “slippery” for want of a better word than say Rhodia paper, my go to for fountain pens typically. The little bit of extra feedback suits my writing style perfectly, as I sometimes find a really smooth nib more difficult to control on very smooth (e.g. Rhodia) paper.

One minor qualm I noted when writing was the small amount of “wiggle” or movement of the page if not held with your opposite hand, mainly due to the large squares cut in the paper for the double spiral binding. Most likely not a problem in the extra-large size, however in a notebook of this size, I often rest my hand on the left page or off the notebook completely. Not a major issue however the movement was noticeable and something I thought worth mentioning.

Use case

For me, this large size notebook — my first Rollbahn, is best suited to shorter note taking given the size of the pages, however would hold up well for longer form writing. In a larger size, I can see this working extremely well as an office meeting note taker or “day book” of sorts, which is where I find the spiral bound books to work best for me.

Many of the notes I take during the day relate to meetings, general thoughts/ideas on processes, procedures or projects, and rough working, mind mapping or outlining these very topics.

Why does the spiral binding suit here? Simply because I prefer a notebook at work which opens flat, closes flat, and can be turned back on itself to allow notes to be taken on a somewhat stable and rigid surface if I choose to rest the book on my lap. This I find to be a common scenario, either for comfort reasons in a long meeting, or to jot down a few confidential notes, where the notebook is angled towards, and closer to me.

IMG_3516It is also at my office job I am most likely to be using ink colours in the blue-black spectrum, or more gel ink pens or my trusty Retro 51. As good as the paper is, as I’ve state above, the yellow shade is probably not best for testing your new ink colours — at least those on the subtle shade side in any event.

My purchase receipt tells me I bought this notebook in late October, and in the intervening two months, I have: made a few plot related notes for NaNoWriMo; jotted down some coffee tasting notes; written a few pages worth of outline for a post on what I learned from NaNoWriMo (must actually finish and publish that one!); and taken a dozen or so pages of notes whilst watching David Sparks excellent OmniFocus Video Field Guide (in Daniel Defoe Palm Green – see accompanying image). A group of notes largely consisting of bullet points, lists and short text notes.

Conclusion

It is pretty clear I am very impressed with the Delfonics Rollbahn, and find it suits my style of writing and notebook requirements extremely well. The styling, design and build quality are second to none. I will definitely be giving the extra-large size a run as my office notebook in future.

What do I like most? Definitely the paper quality, (if not quite the colour), the overall build quality and design, and the attention to detail that is apparent in the double spiral binding, rear pockets, and perfectly rounded corners. Although nice, the closure strap is something I generally prefer not to have (particularly in a notebook which closes well on its own) — as I find they often get in the way. Certainly not a deal breaker by any stretch.

My dislikes? Here it is really only the shade of the paper, for otherwise it is essentially flawless. A minor qualm about the “wiggle” in the page when writing I mentioned earlier is not something which would stop me buying more in the future.

As far as value for money is concerned, here is where things get a little (not a lot — but certainly a little, depending on your budget) interesting. The 14 x 18 cm sized notebook retails for $AU14.95 (either brick and mortar store or online), and the extra-large 19 x 26 cm for $AU24.95. Not an insignificant amount, however when balancing this with what you get for your money, that is, exceptional quality, and 180 pages of it, I’d say the value for money certainly is definitely there. I should also mention the notebook also comes in a smaller (10 x 15 cm), 180 page top opening reporter style notebook for $AU9.95.

Although this is my first Delfonics Rollbahn notebook, I doubt it will be my last. My recommendation would be to try one for yourself, and if you write with fountain pens, my advice is the same — try one out.

Just remember, though perfectly fine for most colours, the shade of paper isn’t made to showcase the subtleties of your ink collection, but will serve you extremely well for taking meeting notes or writing the intro or outline to your next long form essay.

NaNoWriMo – My Analogue Tools

The tools.

The tools.

With so many words to be written this month as part of my first foray into NaNoWriMo, I feared this blog would be a little forgotten over the coming weeks – and no, I had not planned ahead well enough to have written and scheduled posts in advance.

In a rare moment of wisdom, I came to realise my best chance of putting something up on the blog would be to combine the two. That is, participate in NaNoWriMo, and occasionally blog about participating in NaNoWriMo.

I plan to write a few more NaNoWriMo flavoured posts throughout the month, which is of course assuming the weight of expectation that comes with a 50,000 word target doesn’t crush me first.

So, with a tip of the hat to yesterday’s Fountain Pen Day, today I thought I would share some of the analogue tools I have been using to help plan out, and hopefully get written, the 50,000 words that constitute the NaNoWriMo challenge.

Notebooks

Various notebooks, pads, scraps of paper and even the odd dreaded yellow Post-It Note have all played their part here.

Although I have the overall plot and story outlined, my fear of running out of specific ideas to keep filling scenes, has resulted in a litany of places with either paragraphs, a line, or even a single word jotted down to avoid forgetting that great idea. Though I must admit, the more common scenario seems to be noting down why events written two chapters ago no longer make sense given the turn the story has taken.

This whole novel-writing thing is certainly not easy!

The paper I’ve been using:

Clairefontaine Essentials Notebook and Pelikan Edelstein Tanzanite ink written with Pelican M205 EF Fountain Pen

Clairefontaine Essentials Notebook and Pelikan Edelstein Tanzanite ink written with Pelican M205 EF Fountain Pen

Clairefontaine Essentials Notebook with Pelikan Edelstein Tanzanite Ink

Delfonics Rollbahn Notebook; Montblanc Daniel Defoe Palm Geen ink (Pelikan M205 EF Fountain Pen)

Pens

(L to R) Pelikan M205; Palomino Blackwing 602; Retro 51 Stealth; Lamy Safari; Montblanc Meisterstuck Classique

(L to R) Pelikan M205; Palomino Blackwing 602; Retro 51 Stealth; Lamy Safari; Montblanc Meisterstuck Classique

Again, this is either dictated by what is closest at hand for immediate idea capture, or what will be most enjoyable to write with for more extensive outlining. The following pens (and pencil) have to date suited either of these scenarios:

Inks

I have found using inks of varying colours quite helpful when going back through my notes to either check off ideas or plot lines I have implemented into the story, or in highlighting areas that may require more thought or detail. The Montblanc Meisterstuck inked with Burgundy Red has been particularly useful given it’s contrast to the Safari’s blue ink, clearly showing notes made as additions to the originals.

Markup in Field Notes Arts Edition; Lamy Blue ink (Lamy Safari M Fountain Pen); Montblanc Burgundy Red (Montblanc Meisterstuck Classique M Fountain Pen)

Markup in Field Notes Arts Edition; Lamy Blue ink (Lamy Safari M Fountain Pen); Montblanc Burgundy Red (Montblanc Meisterstuck Classique M Fountain Pen)

Rhoda Ice No 16 Lined Notepad; Lamy Blue ink (Lamy Safari M Fountain Pen)

Rhoda Ice No 16 Lined Notepad; Lamy Blue ink (Lamy Safari M Fountain Pen)

Summary

The most used of the items outlined above is probably a combination of the Field Notes Arts Edition notebook, the Lamy Safari for note taking, and the Montblanc Meisterstuck for marking up the Safari’s notes.

The Field Notes became the notebook of choice early on as I my initial intention was to keep all of my ‘NaNo’ notes in the one book, and the majority have ended up in here. I found the larger ‘Arts’ edition the ideal size for more extensive notes, yet small and light enough to carry with me.

Delfonics Rollbahn Grid Notebook

Delfonics Rollbahn Grid Notebook

The Delfonics Rollbahn notebook contains great paper stock for fountain pen use, however the yellow colour is not the best shade to highlight any particularly vibrant inks you may be using. Certainly not a problem for the darker blues and blacks if that is your preference.

The Safari was not necessarily my first choice pen, however is only a fairly recent purchase, and the paper based planning of this project seemed a great chance to test it out. No real complaints here, except it has been a little ’skippy’ occasionally, however I put this down to not having given it a thorough clean before inking it up after purchase.

I am really enjoying the Daniel Defoe Palm Green ink, which is now residing in the Pelikan M205 (EF). Again only a recent purchase, however what a great colour! I am sure it will see quite a bit of use throughout the remainder of November and beyond.

My main (and only minor) grievance has been the extent to which the Safari Blue Ink has faded. Although most likely due to both the ink and Field Notes paper (the same amount of fade was not evident on the Rhodia stock), I would have preferred it to maintain the vibrance it had when first laid down.

NaNoWriMo itself?

With my word count currently just over the 10k mark, I am finding this an extremely interesting challenge. I was falling on the side of “maybe I’ll just do it next year”, right up until a few days before November 1, however would perhaps have continued to say the same thing every year had I not bitten the bullet and entered.

So very glad I did.

Gotta go. There’s an important word count that needs increasing!!

 

Wiser Web Wednesday

Wiser Web Wednesday – a weekly link to posts of interest from around the web:

The Newsprint
Whilst a good majority of posts I link to from The Newsprint will be pen or tech based pieces, I really enjoyed this two-part photo essay from Josh Ginter’s recent trip to New York. Regardless of the topic, you can guarantee there will be great photography. Yes, an obligatory Field Notes pic appears, though you’ll have to find it yourself:
New York 2014: Part 1
New York 2014: Part 2

Jet Pens
In the spirit of the epic The Well Appointed Desk pen refill guide, comes the Jet Pens guide to everything notebook. Again, one for the reference collection:
Notebooks Explained

The Modern Stationer
After picking up a clothbound Clarefontaine Notebook recently, I was interested to read some other thoughts on this paper. I myself had a couple of issues with ink drying time, particularly with a very wet ink (Montblanc Meisterstück 90 years Permanent Grey). I believe I was a little ambitious given it was a during a meeting requiring somewhat rapid note-taking:
Clarefontaine Basics Life. Unplugged Staplebound Duo Review

Presentation Magic
Follow up to a link from a couple of weeks ago, the focus this time on videos used (or overused) in presentations. This is certainly something I have noticed in recent times myself, mostly with good effect, however there is indeed a limit:
Think including a TED talk or video can improve your PowerPoint or Keynote presentation?

Capital Public Radio
Whilst a shortage of high quality coffee is never a good thing, the reality of both crop and employment decimation through the coffee rust problem becomes a little more real with stories such as this:

Mendez’s brother sends money when he can. But the family is deep in debt, both from the smuggler who tried to help them cross the border, and from their previous failed crop.

Rust Decimates Guatemala’s Prime Coffee Crop And Its Farmers

Wiser Web Wednesday

Wiser Web Wednesday – a weekly link to posts of interest from around the web:

Les Posen’s Presentation Magic
That fabulous world of academia, where a soundly stated and well thought out hypothesis, is tested, confirmed or disproved, then reported and reviewed by peers. Important stuff. The means of presenting of such findings? Apparently much less important if conference presentations are anything to go by, and I’ve been to quite a few.

Some thoughts from a true master of the conference Keynote (yes – that Keynote):
Why Academic conferences need to change, and why Powerpoint is a dead technology walking

April Zero
At the time of writing, San Francisco based entrepreneur Anand Sharma had been “tracking everything about himself” with an iPhone and a few key apps for 107 days. The results are published on a great looking site:
April Zero

Asian Efficiency
The final part of a series by Mike Schmitz for AE on tools for taking care of the quick capture phase of a GTD workflow. This time how to configure Drafts to sync with nvALT on your Mac, allowing effortless iOS capture and transfer of information to your Mac for processing:
Quick Capture Part 4: nvALT & Drafts

Teespring
Sporting one of my favourite tag lines of all time, The Cramped now has an official T-shirt campaign that appears to have reached its funding goal. With only a day to run, show them a little more support and grab one before they are gone. You know you want one:
The Cramped Official T-Shirt

The Cramped
Of course I’d follow it up with this. A brilliant article from a writer about writing, whatever the tool used to get it done. In which you will find:

But it turns out that there’s nothing that motivates quite like the sight of your friend covering pages with ink. Are you going to sit there like a loser, with your blank page? No, you are not.

Always Open To The Possibility of Writing

The Writing Arsenal
If the above article inspired you to get writing by hand, perhaps a new notebook is in order. Tim at The Writing Arsenal reviews the Word notebook, with its built-in bullet point mark-up system:
Word. Notebooks “Indigo” Review

The Pen Addict
An interesting post on two fronts. Firstly, being a fan of felt tip or fineliner type pens in my teens, and was thinking I must give them a run once more. With seven tip sizes and multiple colours, I’m sure there is a Pigma Micron to suit.

Further, Brad discusses how a fascination with finer tip or nib sizes has perhaps seen him miss some great writing experiences with the medium to broader end of the spectrum. I had been thinking along those lines as well recently, however for me the reverse is true. I have traditionally never used anything finer than medium, though am now enjoying an exploration of some finer tips and nibs.

I’d best order some fine Pigma Microns as well then:
Sakura Pigma Micron Blue Black Review

Pens! Paper! Pencils!
Pen buying budgets are interesting things. What next? A big purchase, a bag of cheaper ones or something in between? Whichever one the needle points to when it stops spinning, reliable information is your friend. Ian Hedley with a very well-balanced review of the Kaweco AC Sport fountain pen. Red is probably not for me:
Kaweco AC-Sport fountain pen review

In Use – Rhodia No. 12 Ruled Notepad

Anyone with half an interest in pens and paper probably owns at least one Rhodia notepad, however my own usage has always involved the No. 16 size (14.8 x 21cm) and up. However on a recent trip to a local bookstore, my lovely wife recognised the familiar orange Rhodia cover, purchased a ruled No.12 notepad for AUD $4.95, and surprised me with this little pocket gem when she returned home. A win for me, as I had another notepad in my drawer, sans the guilt of buying yet another item of stationery.

I was keen to see how a notepad of this sized fitted my usual workflow.

Look and Feel

The Rhodia No. 12 is a small notepad (8.5 x 12cm or 3.3 x 4.7in) containing 80 sheets of acid free 80gsm paper. As with other Rhodia products, it is made in France to the same high quality usually associated with products bearing this name. Each sheet has micro-perforations across the top for easy removal, and everything is held together by a single reinforced staple.

Rhodia12_Cover

Rhodia12_Back

It is available with a black cover or the classic Rhodia orange, in the usual paper variants of Dot Pad, Graph or Lined paper.

Performance

As expected, writing is the smooth enjoyable experience reminiscent of the larger Rhodia variants. One of the real advantages of the paper used in Rhodia notepads is that pretty much all pen types and of course pencils, are well received by the paper. I often use gel ink or fountain pens, and it is a real joy to know that a quick note taken will be captured the way I intended – crisp and clear with no feathering or bleed, and will generally be dry by the time the cover is closed or the page is torn out. At the outside, fountain pen drying time was less than 10 seconds, most often closer to 5, with liquid or gel ink around 3 seconds or less.

Rhodia12_Note_1Rhodia12_Note_2

Although the size of the No. 12 puts it in the same use category (for me) as index cards, where it really shines is in allowing me to bypass such appalling paper as your standard Post It notes. Although my own use case rarely requires me to actually stick or post one of these notes, given their prevalence in the office and ease of scribbling a quick note for someone, they remain in widespread use by all – myself included. Despite the ongoing use of these tacky (yes I went there) pieces of yellow, I have always loathed the paper, the sticky strip on the reverse side, and the fact that when I write on them my pen invariably skips or doesn’t work on the top third where the glue resides underneath. Thank you Rhodia No.12.

The perforation across the top works flawlessly when tearing off each note, a Rhodia feature I found to be a godsend when undertaking InCoWriMo earlier in the year, with all correspondence for that challenge being written on No.16 Dot Pad. It is also nice to have both sides of each page lined, as occasionally the size dictates a second page for a single note.

Use Case

I must admit I don’t purchase many notebooks this size, however this may now change as I have become accustomed to having this little Rhodia with me and put into use for a good many tasks.

It has clearly become a superior option to the dreaded office Post It note referred to above, providing a much nicer writing experience, and removes the need to fold the notes in half to avoid the sticky portion clinging to everything in its immediate vicinity. Here we are talking short notes for colleagues, phone numbers, ideas “filed” in to my Nock Co. Maryapple for later processing, or quick lists if I am going out to the shops in my lunch break.

Rhodia12_MaryappleRhodia12_Maryapple_Close

Rhodia12_GrindersSpeaking of the Maryapple, as this notepad has become more entrenched in my workflow, I have found this case to be a perfect home for the No 12. When carrying between the office and home, my standard Maryapple case formation now consists of 2 Field Notes and a few index cards on one side and the Rhodia No. 12 in the other. With the cover folded back, the lip across the top fold keeps the notebook perfectly above the top of the case pocket. The more I use the Maryapple, the more uses I find for it, and the more I like it.

When sitting on my desk at home, the size of the No. 12 notes again suit quick lists if I’m heading out to the shops; as reference markers in books or magazines (with notes); for notes on my coffee grinders containing coffee type and grind information; and even a few quick sketches if the notepad was closest to hand when an idea struck.

Conclusion

One aspect of this Rhodia No. 12 Notepad which surprised me a little was seeing just how many more notes I have written since adding it to my workflow. Clearly not having a decent notebook of this size in the past decreased the amount of notes I produced this way – never a good thing! This has certainly changed now, and I can see the No. 12 being put to good use for some time to come. I am still using my Field Notes heavily, which will continue, as the two serve distinctly different purposes – the Field Notes unsuited to producing a quick tear out note of this kind.

Things I would change? Probably going for the Dot Grid option, particularly as many notes I write on a notepad of this size are oriented diagonally corner to corner; perhaps a 40 page option would be nice, as writing certainly becomes more comfortable without the large drop from the page to whatever surface it may be resting on, however this is taken care of soon enough by simply writing more notes!

By now it should be fairly clear I am rather taken by the No. 12 sized offering from Rhodia. Having used the No. 16 Dot Grid pads extensively for some time now, the question was never going to be about the paper, but the uses I may or may not have for the size. Over the past few weeks any doubts about when or where I may use notes of this size have certainly been put to rest, with the answer being anywhere and everywhere, which I must admit was a pleasant surprise.

At less than the cost of a cup of good single origin filter coffee, the Rhodia No. 12 is fantastic value for money. If you are a long time Rhodia user of the larger sized notebooks, you may be surprised by how often this smaller size comes in handy. For someone wishing to test out Rhodia paper and see what all the fuss is about without having to purchase a larger size? Perfect.

Me? I’m off to pick up a few No. 12 Dot Grids to leave lying around wherever I might need them.