Restocking – a trip to Bookbinders

Although I’ve posted an image to Instagram from yesterday’s visit to the Bookbinders store on Brisbane’s Northside, readers of the blog and my social media following are not one and the same, so I thought I’d share a couple of things in a brief post.


It was my second visit to the actual store itself — such a wonderful, calming space amid the chaos of rainy Friday afternoon traffic. The Bookbinders team do a fantastic job, stocking great products and provide outstanding customer service. It was great to hear business is strong, with foot traffic continuing to increase at the store itself.

It is definitely worth a visit if you have yet to do so, and of course if you already have, you don’t need me to encourage you to return — I’m sure that is inevitable.

Though it wasn’t a big haul by any stretch, the few key items on my list were ticked off.

Coffee drinking and roasting logs

I’ve written in a recent post about my thoughts and plans for recording my coffee roasting data, and the main reason for the visit was to pick up the new 33 Roasts log from the 33 Books series.

My only concern (immediately alleviated upon closer inspection) was whether the log contained units in degrees celsius as well as Fahrenheit (being a US publication). All good to go here, with units in celsius appearing on the R hand axis of the roast graph. Key details from each of my roasts will end up in a spreadsheet, and the entire notebook contents scanned, indexed and saved for safe keeping and easy search (perhaps a post for another day).


A few drops of coffee in the ink is a nice touch

My coffee drinking habits? Well why not 33 Log those as well? When out, I use a modified version of this Day One / Launch Center Pro template (also available as Workflow app action if that is your preference) to rate the beverages cafes serve me, however when at home I’d like to record a little more often in relation to drinking what I’ve roasted myself. The 33 Cups of Coffee log seems like a good way to go here.

Upon completion, these will also be scanned, and I’m thinking perhaps the 4 and 5 star rated cups are worthy of indexing for future reference. I’ll give that one a little more thought.




Though 40 pages less, a considerable reduction in paper weight from the Life Symphony to the Monokaki

One of the most pleasing aspects of visiting the store was seeing the healthy stock of Monokaki notebooks, which still remain my all-time favourite. Previous posts about those? Yes — here and here if you are interested. Having passed my 50% rule (that is, of usage in my current notebook before searching for another), it wasn’t a hard choice as to what I’d pick up next.

The masuya paper contained therein is a perfect mash-up of Tomoe River-like weight with a little more tooth to the nib. Just the way I like it. In order to share my fondness, some of that very paper will also be going out in handwritten correspondence from the Yuga Letter Pad I picked up as well.

Signing off

Given this was never intended to be a lengthy post, in closing, I think we are very lucky to have the Bookbinders team not only based in Brisbane, but having a brick and mortar presence as well. They are wonderful people with a passion for the industry — something well worth supporting as a consumer.

Happy writing, roasting and drinking.

Monokaki Notebooks: Now On My Doorstep

Late breaking stationery news this blog certainly isn’t, however when there is good news to share…

A little over a year ago I wrote about the Monokaki A5 notebook, received from a friend who’d been travelling overseas and picked one up in a Japanese stationery store. Well and truly filled cover to cover some time ago, I occasionally come across it when filing other notebooks away, and usually pick it up and flick through.

In reading over that original post, I’m reminded just how much I loved using that notebook with its Masuya paper, and fabulous overall design and attention to detail.

As luck would have it, the great folk at Bookbinders now have that very notebook in stock, along with its larger B5 sibling. You’ll also find some Masuya Manuscript paper as well. To clarify — the luck is with me, however the collection of stock Bookbinders are assembling shows a real passion for — and understanding of — a pen and paper enthusiast’s needs.

Of course we all have our favourites, whether notebook, paper type, or combination of both. The perfect size and construction; our favourite binding; just the right amount of slide or skate of the nib; perhaps a little tooth (raises hand) to help control things just a little. While our styles and hand are different, you and I, the Masuya Monokaki notebook stakes an overwhelming claim as my all time favourite.

Sure, I’ve not used every notebook out there, though I’ve tried a few, and I’d encourage any keen fountain pen user to at least check these out. If by chance you all do so before I get over to the store — yes, the actual store on the other side of town — I’m sure there will be plenty more coming.

Err… right Bookbinders? Right?

Fine print: Please note I have no affiliation with the Bookbinders company, brand or products. I do however have every known affiliation, connection, and association (both direct or implied) with stationery related products I buy and thoroughly love using.

Monokaki A5 Notebook

Having this Monokaki A5 notebook arrive in my letterbox a little while ago was indeed a pleasant surprise. Picked up in a Japanese stationery store by a friend during a recent trip overseas, I was the lucky recipient of a notebook I had not come across either in stationery stores or online.


Although I knew nothing about the Monokaki range of notebooks (Monokaki meaning “writer” in Japanese), the quality of both paper and overall manufacturing was immediately apparent. Also, given the decorative border around the front cover included pencil, fountain pen and inkwell motifs, I was further encouraged as to the likely merits of the paper stock, and its ability to handle my favourite writing instruments.

Yes, I was a little excited about this one.


Seeing the unfamiliar Monokaki brand name immediately sent me on an internet search for a little more information, an endeavour which also had me thankful for Chrome’s translation button when viewing the manufacturer’s website. There isn’t as much information readily available compared with some of the more common brands, however what I did find was indeed of interest.

UK store Choosing Keeping (online or 128 Columbia Rd, London) provided some background, which included a little dig at another major brand’s claim about being a notebook for novelists:

The one exception being that while other’s marketing campaigns are entirely fabricated, the Monokaki notebook’s paper – Kotobukiya paper – was really created as a bespoke product for Japanese author Fumio Niwa by the company’s present day owner’s grandmother in 1939 and used by countless authors and poets including no less than two Literature Nobel prize winners and one nominee.

I’d encourage you to click-through and read a little more, as the page also includes information on the company, which continues to operate and manufacture the notebooks from the Sakura district in Tokyo. The 1940’s woodblock cover design apparently comes from Japanese manga artist Ryo Takagi, commissioned to create a design of “traditional Japanese atmosphere – to include familiar stationery and writing instruments”. I think you’d agree the design goal was achieved.

On a more practical note, and certainly of great interest to many of us in the pen community:

The manuscript paper was indeed designed with novelists in mind for its excellent performance when used with fountain pens – no bleeding, no feathering

So all in all, things were looking good, with both first impressions and an initial foray into learning a little more about the brand yielding positive results.

For reference, some links (I’d recommend Chrome for opening those in italics and translating the result):

Update, 13 December 2015: I have now updated the information above which incorrectly stated Choosing Keeping were an online store. The store has been in touch to advise they also have a brick and mortar shop specialising in classic stationery and notebooks at 128 Columbia Rd, London as well. Thanks Julia!

Look and Feel

If I consider what actually is my preferred or favourite “look” for a notebook, I don’t believe I really have one to be honest. There are times when an understated black might be what I am after, yet other times it might be something a little more individual or unique. The Monokaki range is itself a little unique in that it probably fits both these descriptions.

I do enjoy a little variety from time to time in what I am carrying, however not at the expense of the writing experience. Considering this, I do have what I’d call a spectrum of tolerance here. By that I mean certain notebooks I’m happy to use even if it means finer nibs and certain inks only, as long as things are not too restrictive. Mind you, that particular subset of nibs, inks and pens must perform without further compromise, otherwise the notebook will be gently set aside and see no further use.

Although I’ve probably begun to drift a little off track, my intended point is to merely highlight the fact there are no real compromises with the Monokaki’s paper — to any of my pens, nibs or inks, as you’ll read about a little further below.


I do love the look of this notebook, with its relatively understated, yet very individual cover design. The contrast of the binding tape complements the unique monokaki_traditional_japanborder and designs contained within it. Even the font used on the cover branding, combined with the central symbol and what I believe to be traditional Japanese lettering (part of manufacturer Asakusa Masuya’s logo) add to the overall design aesthetic of the front cover. The back cover is also not forgotten, containing a central symbol, with both corners also demonstrating fairly intricate detailing.



While I am not entirely certain if some of these symbols carry significant meaning over and above their decorative effect, the overall feeling I have about the character of the design is one of old world Japanese tradition or history. I have no specific basis for that, however that is the feeling I keep coming back to when I look at it, and is something I find quite compelling.

In the hand, there is a feeling of quality evident in the construction. With time, I’d expect some wear and tear around the corners of the front and back cover if it were going in and out of a bag on a daily basis, however it would more than likely be filled in short order as well if that were the case. That said, I have no real concerns about the overall durability of the cover, if a little care is taken along the way.

imageThe paper is thread-bound and glued in small sections (apparently to assist flatter opening), and externally reinforced with tape along the spine, which not only provides additional support, but I believe enhances the overall external look. Additional stiffening is also provided by a second sheet of card stock inside the front and back cover, providing a kind of double cover for want of a better term. monokaki_dbl_coverThis again adds to the overall sturdy feel of the notebook, providing additional rigidity to the cover.

The pages themselves are lined, with a larger margin at the top of the page. The only additional markings are 10 mm graduations marked along the top and bottom line (which are themselves bold), allowing the accurate addition of a vertical margin if you so desire. monokaki_vert_margAt a guess I’d say this may be present to allow vertical rulings to be created for a grid of 24×18 boxes, similar to the Masuya manuscript paper from the same manufacturer.

I do not find the absence of other possible additions such as page numbering or date fields detracts in any way from either the look or the usefulness of the page. In fact, the simplicity of what is offered fits with its overall character.


Courtesy Choosing Keeping:

  • Monokaki Notebook
  • A5 210 x 148 mm
  • Soft flexible washi paper card cover
  • Acid-free smooth light cream paper
  • Plain or ruled (lines 9 mm apart)
  • 160 pages
  • Fountain pen friendly cream paper
  • Thread-stitch bound in small sections for flat opening throughout
  • Sizes available
    • Large, B5 – 257 x 175 mm
    • Medium, A5 – 210 x 148 mm
    • Small, B6 – 182 x 128 mm
  • Price £12.00 ($AUD24.70)

Also available on Rakuten Global Market with a list price of $AUD12.56.

imageA word about the Masuya paper (English page link), which is used in the Monokaki range of notebooks (also referred to as Kotobukiya paper, with both terms used somewhat interchangeably from what I’ve read). Masuya manufacture 2 types of manuscript paper and have a range of 35 different products. Originally cream, the paper also comes in white, created to better reflect the light source — apparently coming about due to one of the previously mentioned “novelists” writing by a single spotlight.

From the site itself (unaltered):

Masuya in Asakusa is a traditional company successing Japanese hand-writing culture. We have various products made of high quality paper many famous writers have chosen. Japanese traditional design, unique touch…

Along with the rather unusual:

Feel Japaneseness through Masuya’s products.

It has been a little difficult to track down more detailed information about the Masuya paper used in the Monokaki line of notebooks, and you will note the absence of a gsm rating in the specifications above. The paper in this notebook is certainly far thinner than a 90 gsm Rhodia or Clairefontaine notebook, and also the 80 gsm softcover Leuchtturm1917 notebook I have been most recently using — by a considerable margin. Given Tomoe River paper weighs in at 52 gsm, then at a guess — and I repeat this is my own guess-timation only, this paper feels like it would be around 60 gsm. I may be way off the mark here, however it is very thin and very light compared to your standard “fountain pen friendly” notebooks — and is certainly closer in properties to Tomoe River than any other paper I have used to date.

Once written upon, the paper has a little of what I’d call that “crinkle”, reminiscent of Tomoe River paper, and does seem to have properties that lend me to think of it in similar ways. At times I feel I have turned one page when I have actually picked up two.

Needless to say, I like it — a lot.

Writing Performance

From my comments above, you probably can see what is coming here.

This paper is pretty amazing — particularly if you enjoy writing with fountain pens, meaning of course it handles pretty much anything else you care to throw at it as well. The exception of course being Sharpie markers and the like, where thin doesn’t always hold up to such an onslaught of saturated ink. For fountain pens though, this is some of the best paper I have written on since, well… since I’ve been concerned with such matters. As much as I loved my Rollbahn and Apica Notebooks of previous reviews, the paper in this one surpasses those.


For my paper requirements and preferences, this one is now certainly a favourite. Beyond the obvious shockers of horrendous feathering (my number one hate and deal-breaker), excessive bleed-though (a slightly lesser evil to me), and show through (perfectly acceptable to me for the most part), I’m sure we all have our favourites for various reasons.

monokaki_reverse_pageThe paper in this notebook has what I’d call a moderate amount of show through for darker and more saturated colours you might use. So in all likelihood, many of your fountain pens. Again if we compare it to Tomoe River, it has possibly a little more — but only just, assuming my eyes aren’t deceiving me.

Because the paper is so lightweight, although it has a little tooth to a gliding nib, there is no sinking in feeling from toothier, heavier-weighted paper. I’ve also noted in the past how on some heavier paper such as a Clairefontaine notebook, I feel as though the nib skates away from me a little, and what I gain in less resistance, also results in less control. There is none of that here — even with more rapid writing. To me it really is the best of both worlds. As far as feathering goes – what feathering? None of that here.

IMG_5250As far as the shade of paper is concerned, I’m a little picky here. Every time I try a notebook in the off-white/cream/yellowish spectrum, I begin by thinking: gee, this would be fantastic in white. However this is typically followed by filling up the notebook with all manner of ink colours and not thinking another thing of it. As you can see from the writing sample page, all of your colours will vividly show in all their glory.

One point I should make here, is that this is not a flat opening notebook, even through the middle third of the book. I have doubled it back and left it open in attempts to coax it a little flatter through the spine to no avail. While not a deal breaker for me, it is noticeable, and something which does get in the way of the writing experience somewhat. Something to consider in any event.

In summary, the writing experience is as close to a Tomoe River experience as you can get. Why is that relevant? Well, Tomoe River paper is popular and well regarded for a reason. Light weight paper, smooth without the slip, handles pretty much every ink and nib, a little show through yet no bleed or feathering. Sound familiar? Indeed it does, however applies equally well to the Masuya paper in this Monokaki notebook.

Probably the one thing about these types of paper that can sometimes be an issue is ink drying time. By comparison, the Monokaki on average dried a few seconds faster for a given ink — often at around the 15 seconds mark, versus 18-20 seconds for the Tomoe River. So again I found the overall performance quite similar.

Without a doubt this is great paper, and if you are at all able to get your hands on some, I highly recommend trying it out — whether in notebook or manuscript page format.


imageThe Monokaki A5 Notebook is indeed a joy to use, largely due to the writing experience of the Masuya paper itself — and isn’t that pretty much the key to our love of pens and paper? True, I have a little flexibility as far as my specific paper requirements for writing, and this Monokaki Notebook sits very close to the favourite end of that spectrum.

To make it pretty much perfect? There is probably nothing I’d change about the properties of the paper — for fountain pens it is pretty much spot on. I’d perhaps tweak the binding to allow truly flat opening; opt for a truer white in paper shade; and finally, have a local store or online seller stock the range so I can easily replenish my supplies when they dwindle!

This is certainly a great notebook, and with 160 pages to play with, will serve me well for a little while longer — and that can only be a good thing. I often get the impression there is a whole world of Japanese stationery that I am entirely oblivious to — which is also a good thing, for it simply means there will always be more to discover.