A little time spent searching online doesn’t return much in the way of Montblanc M Ballpoint reviews, a notable exception being this recent post by Mike Dudek. I guess I shouldn’t really be surprised. Perhaps I should be embarrassed about spending this type of money on a ballpoint pen. Money which should be spent on taking me deeper into the unique designs, materials, or custom nib grinds of a fountain pen.
Whether or not the lack of reviews in existence say anything about the hobby itself perhaps missing a beat is a question not really requiring an answer. I think we’d all concede the inexorable draw of the fountain pen is pretty tough to resist, however perhaps comes at the expense of missed opportunity elsewhere? The number of times whether, perhaps, and maybe pop up in these types of posts all point to one thing of course: personal preference. Some might agree with what I have to say below, others wouldn’t be caught dead with a ballpoint. The burgeoning popularity of indie designer and Kickstarter pens is perhaps (there it is again) a sign of interest in broader horizons.
In any event, following on below you’ll only find discussion about a ballpoint pen — one finished in black at that — and certainly no embarrassment. You may recall embarrassment was covered in the initial post about this pen, though squarely in relation to trying to buy the pen, not about buying such a pen.
That said, market analysis or philosophy this post is not. What it is though, is a slightly more detailed look at my Montblanc M Ultra Black Ballpoint. So on with the show.
Look and Feel
Yes, it is indeed black, though as I touched on in my previous post, I have a certain fondness for matte and brushed type finishes — think the Baron Fig Squire, Lamy aion, or the Makralon of the Lamy 2000. With the majority of Montblanc pens out there on the glossy side of the ledger, the Ultra Black finish which now exists through some of the range was always going to well and truly tick this box, and I certainly would not have added the M to the fold without it.
One thing to note here though — and plan for it if you are considering a purchase — after some use, your hand will polish a “sheenier” look to the area it comes in contact with (i.e. the middle of the barrel). I’ve gone with this description because while I wouldn’t call it shiny, let’s say it will become less matte – particularly evident when the now slightly contrasting cap is placed back on. And that, friends, is where this pen earns a whole new level of affection from this owner at least.
I love it. It’s the polished wood grain on a well-worn tamper handle; the softened, worn leather spine on your notebook cover, or even the small callus on my finger from hours of a resting a pen. It is a sign of earning its keep — a tale of words gone by and thoughts recorded.
Should that process take a little longer than a few months? Maybe, though I’ll take it either way. Is it likely to bother you? Perhaps, however that is something only you can answer. Certainly worth noting though if that sort of thing might be a problem. Particularly so, given the vendor from whom this pen was purchased confirmed seeing this on other Ultra Black finished pens. I’ll assume it is a standard occurrence unless there are a majority of Ultra Black users out there who have not seen such a thing happen with theirs.
Most of you reading would already be aware the M design is a collaboration between Montblanc and designer Marc Newson, with more information available about this through the next link.
The overall design gives an outward impression of solid build, and the aesthetic is one of… yes I’ll say it: simplicity. The appeal of the M design for me has always been the balanced end to end uniformity, offset with that emblem plateau. For those more in tune with design – from Montblanc on Marc Newson’s work:
When his trademark biomorphic style meets the iconic design cues of Montblanc, the result is both unique and timeless.
…the writing instruments’ fluid lines flow gently into one another. Moving from the Montblanc emblem on the cap, along the platinum-plated clip, which magnetically aligns with a white precious resin Montblanc emblem on the perfectly flat “plateau” of the barrel, consummate forms express visionary design.
As I’ve alluded to already, I like it a lot, however I do tend to enjoy what I’d consider “clean, modern design” for want of a better term. While I understand the appeal of colourful swirls and the like, here (whether gloss or matte), I can only ever see this design in uniform colour. I don’t make the decisions of course, and I’m certainly glad Montblanc gave the green light to the Ultra Black version.
Combined with the accents of a gently knurled, gunmetal grip section and a platinum-coated clip, the overall colour palette befits the design and a Montblanc modern aesthetic. The little flair of orange where the section meets the barrel almost has the appearance of an o ring seal, however is simply a deliberate decision to extend the plastic lining from inside the barrel and section for a little flash of colour. I doubt my appreciation wanes without it, however again, I love that it’s there.
The M is a decent size without being an overly large pen, and I suppose you’d call it a cigar shape, though the ends are a little more blunted than say a Sailor 1911 by comparison. For reference, with the exception of the end taper, the dimensions are quite similar to the Lamy 2000. The snap-on cap and clip are solid, without being overtly flashy. The hero feature of the cap, of course, being the magnetic alignment of the clip with the plateau emblem, which prevents the cap being secured in anything but “perfect” alignment. This feature works almost perfectly, with my clip aligning about 10–15 degrees to the left of the emblem plateau — something which should bother me, however after noticing it in the initial few days after purchase, I’ve not thought about it since, except to raise it in this post.
I’ll touch on my main reasons for picking up the ballpoint version below, however I don’t find any single thing to be the killer feature for the M line of pens. To use that old adage, it is a champion team, which will — they say — always beat a team of champions. It is a pen best taken whole. Probably not the clearest description of things, though sums up my thoughts well enough.
With the Montblanc M range (ballpoint or otherwise) I think it is definitely a case of what you see is what you get. Even from online images, I think you can be fairly confident in your initial impressions of either being fond of the design or not. As always, being able to pick up and hold a pen is certainly an advantage with any consideration around purchasing.
In the hand
So outwardly it is a solid looking pen — what about in the hand? I’d say pretty much the same really.
This is definitely one of those “solid, yet light” pens — even when posted, which apparently was not possible in the initial release, however the M pens now sport a “plateau magnet” to enable posting. In a purely subjective preference, I’m not a poster of any pen (save for those requiring it such as a Kaweco Sport), and here it just doesn’t feel right. I’d say at least 90% of the time the cap is on my desk anyway (another reason the magnetic alignment doesn’t bother me). Other times it will be beside my notebook in a meeting or failing that – in my pocket. If I’m stepping into a meeting within the office, I’ll often carry the pen sans cap anyway.
I’m aware the area around the grip section tends to be another opinion divider with the M line of pens. Heading towards the tip, there is a staged series of steps from the barrel to the section, another down to the convergence nearing the tip, before the refill makes its appearance. The latter two are of no real significance, however the barrel to section transition may be, depending on your grip and preference.
To some, that flash of orange I mentioned may be a “warning — do not proceed,” however I’ve never really found pens with a step down at the grip to be a problem (though again, it goes without saying that will depend on your grip). In fact, I’ve found this one even less so, for the ballpoint refill gives you a 360-degree option in positioning and practically unlimited angle positions. Essentially every spot is the sweet spot. Choking down on the grip a little results in all my fingers residing on the knurled section, or moving further up the barrel, my index finger controls the section, thumb and middle finger above it. I tend to fluctuate between the two, and as you can imagine, use the step as a reference point.
For the type of money we are talking about, I’d say everything certainly does need to be just about perfect — so if you have any reservations at all about this feature in the design, I’d recommend an in-person inspection and test prior to purchase. Bear in mind I refer to “perfect” as perfectly suited to your preference and grip style, rather than some sort of “absolute” perfection.
If these aspects don’t align with your expectations or requirements, then that is simply that. I think we need to get past any suggestion the manufacturer has “blown it” or made some “serious error in judgement” for their design choices at least — regardless of the company. The fact this pen suits me perfectly makes it no more designed for me than not designed for you. The finished product is simply how Montblanc – or for that matter, Marc Newson – designed it.
Unposted, I find the M very well balanced, regardless of a grip above or below the step, and it is a pen which will handle longer writing sessions should they be required, doing so with a high level of comfort for the user.
More on this when we get to writing below.
- Model: Montblanc M Ballpoint
- Finish: Ultra Black; Platinum trim
- Barrel: Black precious sandblasted resin; inlaid emblem on plateau
- Cap: Black precious sandblasted resin; inlaid emblem
- Closure: Magnetic snap on
- Weight capped: 27 grams
- Weight uncapped: 19 grams
- Length capped: 140 mm
- Length uncapped: 123 mm
- Diameter: 13 mm
- Refills: Montblanc Ballpoint or compatible
- Price: AUD$610.00 (Montblanc International 2 Year Warranty)
Note the measurements above are my own, so assume they are approximate, yet will be pretty close if not exact — difficult to find any documented specs anywhere.
The pen was purchased from Pen & Paper in Brisbane, Australia, in December 2017.
I for one will say these Montblanc ballpoint refills write like a dream — well yes… a dream ballpoint. This not being a debate on the merits of ballpoint/gel/rollerball/nib – I purchased a ballpoint for a reason, and everything I need it to do, it does in spades.
I’ve rotated through three different types so far: the standard Pacific Blue in medium and the Mystery Black in broad. Although only available in medium, I could not go past The Beatles psychedelic purple — love the colour, love the refill box. Incidentally, the availability of many of the special edition colours is another factor weighing heavily in favour of the ballpoint version of the M compared to the rollerball. If that is of any importance to you it is certainly worth considering.
The medium is definitely my preferred width. While I enjoy the richness of the broad’s line (the medium holds up well here in any event), with all of that ink being laid down I find things get a little slippery, and the pen skates away from me a little on the page.
Irrespective of width, when talking refills, there are a couple of deal-breakers for me when it comes to writing with ballpoints. Firstly, ink build up on the tip. I used to regularly find this with Parker refills, or cheaper no-name brands. I have not used either of these recently so perhaps things have improved.
I also very much dislike it if the refill rattles around, moves or makes an audible click when the pen contacts or leaves the surface of the page. That thing has to be well-held, and held in perfect or at least near-perfect alignment — not too proud of the housing nor stuck too deep, for either will annoy me during use. It does, of course, help that the M is capped, removing the need for any click or twist knock mechanism which may contribute to play in the refill fit.
My fondness for this pen would suggest Montblanc have these areas well covered, and I can confirm they certainly have. The spring tension and refill tip alignment are perfect, and the Montblanc refills I’ve been using these past six months or so have all been flawless in their writing. Smooth, rich and vibrant lines in their respective colours, with no skips, hard starts or clumping in any way, shape or form.
Finally, there is something very satisfying about simply unscrewing the section from the barrel, swapping in another refill and away you go — all in about 20 seconds. Call me a heathen if you like, however I’ve always enjoyed the convenience of ink cartridges in my fountain pens as well, notwithstanding a required flush when changing colours.
Comfort and use
As with any writing instrument, your intended use will really determine whether the M — and the M in ballpoint for that matter — will indeed suit that purpose.
Personally, I’ve used this thing for meeting notes, letters, and report mark up, however 90% of the time it is on my desk ready to jot down a phone number, take a few notes to organise my thoughts or sign a document. If I consider the uses I put this pen to at the office (often with less than ideal writing conditions), the ballpoint format I consider just about perfect. Conversely, if I were after something to use at home, on my paper of choice for page after page after page, a nice fountain pen may be a better fit. The right tool for the job.
Does this imply some form of compromise in what I am using at the office? Far from it. I have quite a few fountain pens, and as you are probably aware, enjoy using them immensely. While generally fluid and effortless writers, they do less well in some of the situations I put them in at work (think dry time on a document passed around a table for multiple signatures, or sub-par office copy paper). At home, I’m more inclined to pick up one of the more balanced fountain pens in my collection (Sailor 1911 Large, Pilot Custom Heritage 823 or Pelikan 805) if I plan to churn through several hundred to a thousand words or more in a sitting.
One thing I can say is I’ve found the M ballpoint to be considerably more comfortable over an extended writing session than I had originally expected. It is extremely well balanced, has an always-in sweet spot, and provides an effortless experience between writer and page. From both a practicality and usability perspective, it is really everything I could ask for.
Well, that folks, is my Montblanc M Ballpoint in Ultra Black.
Sure, it might roll away if placed down uncapped, the finish wear to a slight sheen, and the cap not quite align with the emblem plateau. You might (quite validly) argue that for the price, no such comments should appear in this post, let alone be flippantly dismissed. I wouldn’t disagree, however as you can gather, none of these aspects bother me, and I quite like the subtle change in finish. Once, they probably — no definitely — would have bothered me, however over recent years I’ve come to learn what really matters to me.
Of course, appearance and design are what draw me to a pen in the first place, however in my deal-breaker categories of balance, grip and refill performance, in my experience, the M sits squarely in my sweet spot for all. There is no compromise in seeking and finding a ballpoint — of all things — to be the right tool for the job.
Not only that, the Montblanc M ballpoint is a joy to use, and let’s be honest — if you are writing without joy? That right there is the real compromise.